works (by year)

featured projects | series | by format | by year

2023

- si ambulem… 30 wandering voices, ruins of the monastery of San Pedro de Eslonza (León/Spain) (55′)
- play-PAUSE-stop-loop 2 saxophones, audiovisual materiales and video projection (33′)
- [voids] C. Monteverdi – Se dolce è’l tormento soprano, flute and violoncello

2022

- inventario de sonidos ausentes flute, saxophone, percussion + tape (16′)
- PLAY-pause-stop-loop small ensemble + video
- [voids] J. S. Bach “A musical offering” baroque ensemble

2021

- (neo)liberal systems #4 “entertainment” tactile device + audiovisual projection (8′)
- impossible translations #5 flute + video (6′)
- made in china / epitaph voice, flute, cello + video (16 min.)
- #OccupyYourself installative performance for 4 percussion players isolated in closed tents in the public space during 12 hours

2020

- fade video (19″)
- impossible translations #3c tenor saxophone + video (11′)
- voids several formats / graphical pieces (var. durations)

2019

- numbers #3 “migrants” tape (16ch) (9′)
- others installation (96ch audio, 48 headphones, water)
- (neo)liberal systems #2 “crescendo” any number of instr. + live electronics (10′)

2018

- (neo)liberal systems #1 “accelerando” 2-6 instruments (10′)
- relectures #4 “air” harpsichord + tape (12′)
- A Tempo 4 saxophones + video (15′)
- numbers #2 “variations on a theme by Brahms”. vl, pno. + tape/video (14′)
- Portraits / Georg Philipp Telemann baroque ensemble + video (6′)

2017

- inaudible city 4 instruments + tape and light (11′)
- numbers #1 “post-truth”. Tenor saxophone + tape (optional video) (12′)

2016

- ritratto senza voce (Billie Holiday). Percussion + video (7′)
- on the deconstruction of a trill III. Version for bass clarinet + tape (12′)
- portraits – Claude Debussy. Piano + video (5-10′)
- 300kg of music. Performer, 2 percussion players, car (25′)
- dispersión / concentración. 30 wandering musicians (45′)

2015

- the spectacle is capital to such a degree of accumulation that it becomes an image. Performer + live video and electronics (12′)
- mobile. Piece for garden, wandering performer and percussion (50′)
- 0.997. Sound action for long distance runner, saxophone ensemble and real time video (in collaboration with Àlex Serrano) (50′)
- NO studies #1b. Version for flute, ten.sax, marimba, e-guitar and piano + video (6′)
- NO studies #4. “alphabetically ordered NO written in the 100 most spoken languages”. Audiovisual object (ink on paper and digital audio)
- relectures #3 – R. Schumann, 3 Fantasiestücke op. 73. Violin (cello and clarinet also possible), piano and resonant book (9′)

2014

- how to unbalance the pressures that correspond to each other in either side of the membrane? Version for speaking voice, objects and live electronics (18′)
- sound statements. Blog
- deconstruction – J. S. Bach, Ricercare a 6. Music for the documentary film “Don’t die before going to Ronchamp” (Yolanda Villaluenga)
- NO studies #3; 73 attemps to play NO. Its resonance. Its NO. A glass. Piano + video (11′)
- NO studies #2; Madrid, 2011/5/20 23h44m43s. Tape (4′)
- relectures #1 – F. Schubert, Phantasie in F moll. Interactive audiovisual installation
- mixtures #1. J. S. Bach, Passacaglia BWV582 & 2012-7-11, Marcha negra (Madrid). Organd and live electronic or tape (10′)

2013

- in praise of the absent (on a theme by Schumann). Toy piano, recorded piano and vibration speaker (12′)
- Camarón de la isla (ritratto con voce). Ten. saxo, piano and video (7′)
- NO studies #1. Saxophone ensemble + video (6′)
- how to unbalance the pressures that correspond to each other in either side of the membrane? Small ensemble (fl, cl, gt, vl, vclo) and objects (18′)
- passive resistance. Interactive audiovisual installation
- impossible translations #4. Piano + video (17′)
- G8 / lied der deutschen. Tape (12′)
- portraits. Piano + real time video (several durations)

2012

- impossible translations#3b. Percussion + video (8′)
- grim[m] Scenic collaboration with Christian Weiss and Luise Krüger
- absent made present. Collaboration with coreographer Freddie Opoku-addaie

2011

- impossible translations #3a. Interactive audiovisual installation
- impossible translations #2. Violin, violoncello andy piano + video (15′)
- impossible music #33 “dumb scream”. Interactive videoinstallation
- politicking Oath. Collaboration with coreographer Freddie Opoku-addaie
- diptych. Sound installation
  - a) 193 national anthems occupying a space
  - b) 193 national anthems ranged according to translational criteria
- crowds and power. Scenic collaboration with Christian Weiss
- G8 / la marseillaise. Tape (16′)

2010

- impossible translations #1. Bass clarinet (also possible sax or flute) and percussion + video (14′)
- G8 / god save the queen. Tape (13′)
- G8 / il canto degli italiani. Tape (11′)
- impossible music. Several non-sounding formats
- crowds and power, lecture. Speaking voice and live electronic (12′)
- sound is what remains. 6 dancers, movement sensor and live electronic (15′)
- paseador de perros. Sound installation
- found sounds. Recorded sounds
- found musics. Recorded sounds
- passion. Stage music for ensemble, countertenor and recorded sounds (90′)

2009

- the outer world of the inner world of the outer world. String orchestra (10′)
- anatomy of a military march. 3 percussion players (19′)
- 4 actions. Actions for 1 performer (several durations)

2008

- la réalité, Schaeffer, sa trace et la musique. Tape (several durations)
  - cinq études lègéres
  - cinq études profondes
- C/ Ferraz, 62 (Madrid) 1993-97; reminiscences. Piano + tape (11′)
- on the deconstruction of an ending. Violin, violoncello and piano (13′)

2007

- on the deconstruction of a trill II. Live sax and recorded sax (12′)
- woArLlLds. Audiovisual installation in collaboration with Fernando García
- G8 / stars and stripes. Tape (11′)
- open cloisters. Bass flute and live electronic (14′)
- transitions (short children etudes). Melodic instrument (several durations
- through the wall. 3 percussion players, violin, violoncello, piano + live electronics (17′)

2006

- alltagsetüden – #1 (Madrid). Tape (10′)
- on the deconstruction of a trill. Live flute and recorded flute (11′)
- on the deconstruction of a cycle. 2 pianists and 2 percussion players (17′)

2005

- on the deconstruction of a whole. Installation for solo bassoon and solo auditor
- on the deconstruction of a military roll. 2 percussion players (8′)
- on the deconstruction of a cluster. Solo piano (8′)
- “Musik”. Mechanical or MIDI piano + tape (several durations)
- instrumentation of a discourse. Mechanical or MIDI piano + tape (5′)
- wi(e)der. Orchestra (+ tape) (15′)
- var. Tape (5′)

2004

- sotto. 3 percussion players and 11 musicians ensemble (3′)
- the space of possibility. Stage piece for 1 actor/actress, bass clarinet, e-guitar, percussion and dia or video projection (15′)

2003

- ezz. Trombone and piano+ tape (9′)
- jetzt. Orchestra (3″)
- ¬(¬). 7 instruments and 7 loudspeakers (12′)
- ’s (after Samuel Beckett). Half-scenic piece for wind instrument and live electronic (15′)

2002

- 27 scenes for 4 spectators. Recorder, saxophone, guitar accordion and live electronic (15′)
- 4 principles. Amplified accordion 15′)
- 3×3=10. Ensemble (9′)

2001

- cromlech. Flute, violoncello, piano and live electronic (12′)
- etude (on the prelude of the first Bach suite). Solo violoncello (4′)