{"id":1121,"date":"2015-08-20T17:01:48","date_gmt":"2015-08-20T17:01:48","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?page_id=1121"},"modified":"2015-09-03T23:46:38","modified_gmt":"2015-09-03T23:46:38","slug":"2-6-instruments","status":"publish","type":"page","link":"https:\/\/albertobernal.net\/es\/works\/format\/2-6-instruments","title":{"rendered":"2 a 6 instrumentos"},"content":{"rendered":"

\u2192 obras por formato<\/a><\/em><\/strong><\/p>\n

\n

\"\"<\/a>\n

Erlk\u00f6nig-Archive<\/a><\/h4>\n
\u00f3pera de c\u00e1mara (2025)<\/div><\/div><\/div>\n
\"\"<\/a>\n

play-pause-stop-LOOP<\/a><\/h4>\n
trio + video (2023)<\/div><\/div><\/div>\n
\"passage\"<\/a>\n

passage<\/a><\/h4>\n
cuarteto de percusi\u00f3n+ 30 m\u00fasicos m\u00f3viles (2024)<\/div><\/div><\/div>\n
\"\"<\/a>\n

(neo)liberal systems #5 \u00abaffirmation\u00bb<\/a><\/h4>\n
3 instrumentos + videoproyecci\u00f3n (2023)<\/div><\/div><\/div>\n
\"\"<\/a>\n

iSlave<\/a><\/h4>\n
\u00d3pera de c\u00e1mara (2024)<\/div><\/div><\/div>\n
\"\"<\/a>\n

play-PAUSE-stop-loop<\/a><\/h4>\n
2 ten.sax. + video (2023)<\/div><\/div><\/div>\n
\"\"<\/a>\n

PLAY-pause-stop-loop<\/a><\/h4>\n
sx, e-guit, trb, perc. + video (2022)<\/div><\/div><\/div>\n
\"\"<\/a>\n

inventario de sonidos ausentes<\/a><\/h4>\n
sx, fl, perc. + video (2022)<\/div><\/div><\/div>\n
\"\"<\/a>\n

(neo)liberal systems<\/a><\/h4>\n
varios formatos (2019-)<\/div><\/div><\/div>\n
\"\"<\/a>\n

[Voids] A. Copland – El Salo\u0301n Me\u0301xico<\/a><\/h4>\n
2 pianos \/ obra gr\u00e1fica (2021)<\/div><\/div><\/div>\n
\"\"<\/a>\n

[Voids] G. Holst – Venus, the bringer of peace (The Planets)<\/a><\/h4>\n
2 pianos \/ obra gr\u00e1fica (2021)<\/div><\/div><\/div>\n
\"\"<\/a>\n

[voids]\u00a0D. Shostakovich – String Quartet Op. 110\/8 (II. Allegro molto)<\/a><\/h4>\n
cuarteto de cuerda \/ pieza gr\u00e1fica<\/div><\/div><\/div>\n
\"\"<\/a>\n

Made in China \/ Epitaph<\/a><\/h4>\n
voice, fl., vcl + video (2021)<\/div><\/div><\/div>\n
\"\"<\/a>\n

#OccupyYourself<\/a><\/h4>\n
instalaci\u00f3n performativa para 4 percusionistas aislados en tiendas de campa\u00f1a durante 12 horas en el espacio p\u00fablico (2021)<\/div><\/div><\/div>\n
\"\"<\/a>\n

[voids]\u00a0R. Schummann – Fantasiest\u00fccke Op. 73<\/a><\/h4>\n
vc.\/cl.\/sx.\/vla. + piano \/ pieza gr\u00e1fica<\/div><\/div><\/div>\n
\"\"<\/a>\n

[voids]\u00a0J. S. Bach – Sonata Sopr’Il Soggeto Reale<\/a><\/h4>\n
fl. vl. cont. \/ pieza gr\u00e1fica<\/div><\/div><\/div>\n
\"\"<\/a>\n

[voids]\u00a0J. S. Bach – Ricercare a 6<\/a><\/h4>\n
6 instrumentos \/ pieza gr\u00e1fica<\/div><\/div><\/div>\n
\"voids-arietta\"<\/a>\n

voids<\/a><\/h4>\n
varios formatos \/ piezas gr\u00e1ficas (2020)<\/div><\/div><\/div>\n
\"\"<\/a>\n

(neo)liberal systems #3 \u00abascent\u00bb<\/a><\/h4>\n
instrumentaci\u00f3n variable<\/div><\/div><\/div>\n
\"\"<\/a>\n

(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/h4>\n
instrumentaci\u00f3n variable<\/div><\/div><\/div>\n
\"\"<\/a>\n

(neo)liberal systems #1 \u00abaccelerando\u00bb<\/a><\/h4>\n
2-6 instruments<\/div><\/div><\/div>\n
\"\"<\/a>\n

A Tempo<\/a><\/h4>\n
4 saxos + v\u00eddeo (2018)<\/div><\/div><\/div>\n
\"\"<\/a>\n

Georg Philipp Telemann<\/a><\/h4>\n
ensemble barroco y v\u00eddeo (o videoinstalaci\u00f3n)<\/div><\/div><\/div>\n
\"\"<\/a>\n

numbers #2 \u00abvariaciones sobre un tema de Brahms\u00bb<\/a><\/h4>\n
vl, pno + tape\/video (2018)<\/div><\/div><\/div>\n
\"la<\/a>\n

La ciudad in<\/del><\/em>audible<\/a><\/h4>\n
4 instrumentos + tape y luz (2017)<\/div><\/div><\/div>\n
\"\"<\/a>\n

300kg of music<\/a><\/h4>\n
Performer, 2 percusionistas + coche (2016)<\/div><\/div><\/div>\n
\"relecturas<\/a>\n

relecturas #3 – R. Schumann, 3 Fantasiest\u00fccke op. 73<\/a><\/h4>\n
Violin (clarinete o violoncello tambi\u00e9n posible), piano y libro resonante (2015)<\/div><\/div><\/div>\n
\"0.997\"<\/a>\n

0.997<\/a><\/h4>\n
obra esc\u00e9nica (2015)<\/div><\/div><\/div>\n
\"mobile\"<\/a>\n

mobile<\/a><\/h4>\n
obra para jard\u00edn, caminante y percusi\u00f3n (2015)<\/div><\/div><\/div>\n
\"no<\/a>\n

NO studies #1b<\/a><\/h4>\n
(fl, tsax, mar, e-guit, pno) + v\u00eddeo (2013)<\/div><\/div><\/div>\n
\"\"<\/a>\n

John Dowland<\/a><\/h4>\n
dos guitarras y v\u00eddeo (o videoinstalaci\u00f3n)<\/div><\/div><\/div>\n
\"como\"<\/a>\n

\u00bfC\u00f3mo desequilibrar las presiones que se corresponden por una y otra parte de la membrana?<\/a><\/h4>\n
peque\u00f1o ensemble, altavoces de vibraci\u00f3n y objetos (2013)<\/div><\/div><\/div>\n
\"retratos-camaron\"<\/a>\n

Camar\u00f3n de la isla (ritratto con voce)<\/a><\/h4>\n
saxo, piano y v\u00eddeo<\/div><\/div><\/div>\n
\"\"<\/a>\n

impossible translations #2<\/a><\/h4>\n
violin, violoncello, piano + v\u00eddeo (2011)<\/div><\/div><\/div>\n
\"\"<\/a>\n

impossible translations #1<\/a><\/h4>\n
bass cl.\/saxo, perc. + video (2010)<\/div><\/div><\/div>\n
\"anatomia\"<\/a>\n

anatom\u00eda de una marcha militar<\/a><\/h4>\n
3 percusionistas (2008)<\/div><\/div><\/div>\n
\"\"<\/a>\n

de la deconstrucci\u00f3n de un final<\/a><\/h4>\n
viol\u00edn, violonchelo y piano + tape opcional (2008)<\/div><\/div><\/div>\n
\"through<\/a>\n

through the wall<\/a><\/h4>\n
3 percusionistas, viol\u00edn, violoncello y piano + electr\u00f3nica (2007)<\/div><\/div><\/div>\n
\"\"<\/a>\n

de la deconstrucci\u00f3n de un ciclo<\/a><\/h4>\n
2 pno, 2 perc + tape opcional (2005)<\/div><\/div><\/div>\n
\"\"<\/a>\n

de la deconstrucci\u00f3n de un redoble militar<\/a><\/h4>\n
2 percusionistas (2005)<\/div><\/div><\/div>\n
\"space\"<\/a>\n

the space of possibility<\/a><\/h4>\n
actor\/recitador, clarinete bajo, guitarra el\u00e9ctrica, percusi\u00f3n y proyecci\u00f3n de video (2004)<\/div><\/div><\/div>\n
\"ezz\"<\/a>\n

ezz<\/a><\/h4>\n
tromb\u00f3n y piano + tape (2003)<\/div><\/div><\/div>\n
\"27<\/a>\n

27 escenas para 4 espectadores<\/a><\/h4>\n
flauta de pico alto, saxo alto, guitarra, acorde\u00f3n y electr\u00f3nica en vivo (2002)<\/div><\/div><\/div>\n
\"\"<\/a>\n

cromlech<\/a><\/h4>\n
flauta, violoncello, piano y electr\u00f3nica en vivo (2001)<\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t