{"id":33,"date":"2015-07-06T09:48:38","date_gmt":"2015-07-06T09:48:38","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?page_id=33"},"modified":"2026-03-24T20:50:04","modified_gmt":"2026-03-24T20:50:04","slug":"events","status":"publish","type":"page","link":"https:\/\/albertobernal.net\/es\/events","title":{"rendered":"agenda"},"content":{"rendered":"

<\/p>\n

UPCOMING<\/h3>\n
\n

2026<\/h3>\n

[premiere] passage #2<\/a><\/strong>. percussion quartet + 30 additional performers in the open space<\/em>
\n11-9\/26. Ultima Festival (Oslo)<\/p>\n

(neo)liberal systems<\/a><\/strong>\u00a0 portrait concert
\n[premiere] <\/em>(neo)liberal systems #6 \u00abtutti-solo-tutti\u00bb.\u00a0<\/strong>16 performers + video
\n\u00a0 \u00a0(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/b><\/strong>. trio + electronics
\n<\/em>\u00a0 \u00a0(neo)liberal systems #4 \u00abentertainment\u00bb<\/a><\/b>. tactile device + video<\/em>
\n\u00a0 \u00a0numbers #1 \u00abpost-truth\u00bb<\/a> <\/strong>saxophone + video<\/em>
\n6\/2\/26. Espacio Turina. (Sevilla, Spain)
\nProyecto OCNOS<\/p>\n

#OccupyYourself<\/a> <\/b>installative performance
\n23\/4\/26 Granada University (Spain)
\nFRAMES Percussion Ensemble<\/em><\/p>\n

(neo)liberal systems<\/a><\/strong>. concert and talk<\/em>
\n24\/3\/26. CSMA Zaragoza (Spain)<\/p>\n

passive resistance<\/a><\/strong>. audiovisual installation<\/em>
\n18\/3-14-4\/26. In Sonora Festival \/ Espacio Obliquo (Madrid)<\/p>\n

play-pause-stop-LOOP<\/a><\/strong>. trio+video<\/em>
\n6\/3\/26. Festival ConTempo (Salamanca, Spain)
\nAudiovisual production with Trio Zukan<\/p>\n

Portrait Concert<\/strong>.\u00a0<\/em>
\n6\/3\/26. Aveiro University (Portugal)<\/p>\n

New music with non professional performers.\u00a0<\/strong>talk<\/em>
\n14\/2\/26. Critical pedagogies Conference. ESMUC (Barcelona).<\/p>\n

numbers #1 \u00abpost-truth\u00bb<\/a> <\/strong>saxophone + video
\n<\/em>14\/2\/26. RCSMM (Madrid)<\/p>\n

impossible translations #5<\/a><\/b>. flute + video
\n<\/em>25\/1\/26 Leonberg (Stuttgart)
\nPetra Arman, flute<\/p>\n

impossible translations #3b<\/a><\/strong>. percussion + video<\/em>
\n13\/1\/26. Espacio Turina (Sevilla)
\nV\u00edctor Barcel\u00f3, perc.<\/p>\n

<\/div><\/p>\n

\n

RECENT<\/h3>\n
\n

2025<\/h3>\n

componer desde la p\u00e1gina en negro<\/a><\/strong>. new text<\/em>
\n12\/25. Revista SIGMA<\/p>\n

impossible translations #3b<\/a><\/strong>. percussion + video<\/em>
\n19\/12\/25. Hochschule f\u00fcr Musik (Freiburg)
\nJieru Ma, perc.<\/p>\n

Fuera de tono<\/a><\/b>. book presentation
\n<\/em>16\/12\/25. CSMV Biblioteca (Valencia)<\/p>\n

Imagen-palabra-sonido-escena<\/a><\/strong>. Mesa redonda<\/em>
\n11\/11\/25, 18:00. C\u00edrculo de Bellas Artes (Madrid)<\/p>\n

numbers #3 \u00abmigrants\u00bb<\/a><\/strong>. installation<\/em>
\n25\/10\/25-15\/11\/25. Fonderie Kugler (Ginebra)<\/p>\n

[premiere] Erlk\u00f6nig-Archive<\/a><\/strong>. \u00f3pera de c\u00e1mara<\/em>
\n29\/10\/25. Sala Berlanga. Festival COMA (Madrid)<\/p>\n

Mesa redonda – Ense\u00f1anza de la composici\u00f3n<\/strong>
\n11\/10\/25. Pamplona. Festival After Cage<\/p>\n

caminar<\/a><\/strong>. 50 walking performers in the public space<\/em>
\n5\/10\/25. Pamplona. Festival After Cage<\/p>\n

Interview with Jos\u00e9 Iges<\/a><\/strong>
\n10\/25. Canal Culturas Sonoras<\/p>\n

numbers #3 \u00abmigrants\u00bb<\/a><\/strong>. installation<\/em>
\n3-5\/10\/25. ANGST BASEL 2025 (Bad Freienwalde, Germany)<\/p>\n

play-pause-stop-LOOP<\/a><\/strong>. trio+video<\/em>
\n9\/6\/25. Museo San Telmo (San Sebasti\u00e1n)
\nAudiovisual production with Trio Zukan<\/p>\n

walking (in memoriam Peter Ablinger)<\/a><\/strong>. 50 walking performers in the public space<\/em>
\n30\/5\/25. Mostra Sonora de Sueca (Valencia)
\nEMTSU Sueca<\/p>\n

impossible translations #3b<\/a><\/strong>. percussion + video<\/em>
\n22\/5\/25. La Madraza Centro de Cultura Contempor\u00e1nea (Granada)
\nV\u00edctor Barcel\u00f3, perc.<\/p>\n

(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/b><\/strong>. trio + electronics<\/em>
\n<\/em><\/b><\/strong>16\/4\/25. BKA Theater (Berlin)
\ntrio vis-\u00e0-vis<\/p>\n

visiting professor<\/strong>
\n26-28\/3\/25. Royal College of Music Stockholm<\/p>\n

A Tempo<\/a><\/strong> 4 saxophones + video<\/em>
\n3\/3\/25 JMCN (M\u00e1laga)
\nSigma Project<\/p>\n

Fuera de tono<\/a><\/b>. book presentation
\n<\/em>13\/2\/2025 Librer\u00eda Santos Ochoa (Salamanca)<\/p>\n

impossible translations #5<\/a><\/b>. flute + video
\n<\/em>[neo]liberal systems #4 \u00abentertainment\u00bb<\/a><\/b>. tactile device + video
\n<\/em>\u00abcomposici\u00f3n con nuevos medios: utop\u00eda y distop\u00eda\u00bb <\/b>talk
\n<\/em>29-30\/01\/25 Festival [con]tempo. CIE Salamanca<\/p>\n

 <\/p>\n

\n

2024<\/h3>\n

dispersi\u00f3n\/concentraci\u00f3n<\/a><\/b>. 15 saxos + 15 percussions in the open space
\nimpossible translations #3b<\/a><\/b>. percussion + video
\n<\/em>10\/12\/2024 Festival [con]TEMPO (Salamanca)<\/p>\n

Portraits – Arnold Sch\u00f6nberg<\/a><\/b>. piano + video
\n<\/em>25\/11\/2024 Le Ring. Sc\u00e8ne P\u00e9riph\u00e9rique (Toulouse)
\nHaize Lizarazu, piano<\/p>\n

composing with video<\/strong>. lecture<\/em>
\n19\/11\/24. IRCAM (Paris)<\/p>\n

impossible translations #5<\/a><\/b>. flute + video
\n<\/em>31\/10\/2024 Theater Atelier (Stuttgart)
\nPetra Arman, flute<\/p>\n

play-pause-stop-LOOP<\/strong><\/a>. trio+video<\/em>
\n26\/10\/24. Festival After Cage (Pamplona)
\nTrio Zukan<\/p>\n

FUERA DE TONO<\/a><\/strong>. new book presentation<\/em>
\n18\/10\/24. Museo de la M\u00fasica Barcelona \/ Festival Mixtur<\/p>\n

made in china \/ epitaph<\/a><\/strong>. voice, flute, cello + video<\/em>
\n<\/em>(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/b><\/strong>. trio + electronics<\/em>
\n<\/b><\/strong>17\/10\/2024 Wissenschaftsfestival (Werkstattshaus Stuttgart)
\ntrio vis-\u00e0-vis<\/p>\n

[premiere] passage<\/a><\/strong>. percussion quartet + 30 additional performers in the open space<\/em>
\n10\/10\/24. Festival Mixtur (Barcelona)
\nFrames Percussion + Blue Band<\/p>\n

impossible translations #3b<\/a><\/strong>. percussion + video<\/em>
\n6\/10\/24. Espacio La Granja (Tenerife, Festival Internacional de M\u00fasica)
\n7\/10\/24. Teatro Guiniguada (Las Palmas, Festival Internacional de M\u00fasica)
\nV\u00edctor Barcel\u00f3, perc.<\/p>\n

[voids] se dolce \u00e8 l’tormento<\/a><\/strong>. soprano, flute, cello<\/em>
\n18\/6\/24. Theaterhaus (Stutgart)
\nTrio Vis-\u00e0-Vis<\/p>\n

[premiere] play-pause-stop-LOOP<\/a><\/strong>. trio+video<\/em>
\n13\/6\/24. FMUC (Auditorio de Tenerife)
\nTrio Zukan<\/p>\n

FUERA DE TONO <\/a><\/strong>. new book available<\/em>
\n3\/6\/24. Presentation at La Central Bookshop (Reina Sof\u00eda Museum, Madrid)<\/p>\n

impossible translations #3b<\/a><\/strong>. percussion + video<\/em>
\n30\/5\/24. Ackermannshof (Basel)
\nMiko\u0142aj Rytowski, perc.<\/p>\n

ritratto senza voce (Billie Holiday)<\/a><\/strong>. percussion + video<\/em>
\n26\/5\/24. De Bijlote Muziekcentrum (Gent\/Belgium)
\nKaja Farszky, perc.<\/p>\n

PLAY-pause-stop-loop<\/a><\/strong>. small ensemble + video<\/em>
\n10\/5\/24. Don Bosco (Basel).
\nDelirium Ensemble<\/p>\n

numbers #3 \u00abmigrants\u00bb<\/a><\/strong>. acousmatic\/installation<\/em>
\n1-5\/5\/24. Mus\u00e9e des beaux-arts, La Chaux-de-Fonds (Switzerland)
\n23\/5\/24-6\/24. Galar\u00eda i23 (Madrid)<\/p>\n

[premiere] iSlave<\/a><\/strong>. chamber opera<\/em>
\n1-3\/3\/2024. Teatros del Canal (Madrid)
\n7\/3\/2024. Museo Universidad de Navarra (Pamplona)
\nColectivo E7.2+LED Silhouette.<\/p>\n

\n

2023<\/h3>\n

[premiere] (neo)liberal systems #5 \u00abaffirmation\u00bb<\/a><\/strong> var. performers + AV<\/em>
\n24\/11\/2023 19:00. Museo W\u00fcrth (Logro\u00f1o\/Spain)
\nTrio Zukan<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/a><\/strong> tactile device + AV<\/em>
\n23\/11\/2023 21:00. Tabakalera (Donosti\/Spain)
\nLuis Azcona, perf.<\/p>\n

[premiere] d\u00e9-coll\/age<\/a><\/strong> 80 wandering musicians in open-air<\/em>
\n28\/10\/2023 12:00. Museo Vostell\/Malpartida (C\u00e1ceres\/Spain)
\nWind orchestras of C\u00e1ceres, Albuquerque and Malpartida. Javier Gonz\u00e1lez, dir.<\/p>\n

#OccupyYourself<\/a> <\/b>installative performance for 4 percussion players isolated in closed tents. (Reduced version)
\n5\/7\/2023 Festival Made in SMAE (Porto, Portugal)
\nFRAMES Percussion Ensemble<\/em><\/p>\n

[premiere] New piece <\/strong>40 voices in open air<\/em>
\n17\/6\/2023 20:00. Monasterio San Pedro de Eslonza (Le\u00f3n) \/ Fundaci\u00f3n Cerezales
\nCoro \u00c1ngel Barja<\/p>\n

Cr\u00edtica de la grabaci\u00f3n pura<\/strong> graphical piece \/ exhibition<\/em>
\n12\/5\/2023 to 10\/12\/2023 Museu de la Musica (Barcelona)
\nWithin the exhibition \u00abListening with your hands\u00bb<\/p>\n

Monographic radio broadcasting<\/a> <\/strong>
\n9\/5\/2023 1:00 La casa del sonido (RTVE). Con Jos\u00e9 Luis Carles y Cristina Palmese<\/p>\n

(neo)liberal systems #1 \u00abaccelerando\u00bb<\/em><\/strong>\u00a0 CD presentation<\/em>
\n28\/4\/2023 12:00 SGAE (Madrid)
\nWith Rhea Saxophone Quartett<\/p>\n

[premiere] play-PAUSE-stop-loop<\/strong> 2 saxophones, screen and audiovisual material<\/em>
\n25\/4\/2023 20:00, 20:00 Ackermannshof \/ Basel
\n27\/4\/2023 20:00 Theaterpavillon\/ Luzern
\n28\/4\/2023 20:00 B\u00fchne S\/ Z\u00fcrich
\n2\/5\/2023 20:00 Theatherstudio\/ Olten<\/span>
\nEventuell Saxophone Duo (Vera Wahl, Manuela Villiger)<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/strong><\/a> tactile device + video<\/em>
\n<\/em><\/strong>20\/3\/2023 Pakt (Bern)
\n23\/3\/2023 CPMDT (Geneve)
\n24\/3\/2023 La Voirie (Biel)
\nLuis Azcona, performer<\/p>\n

A Tempo<\/a><\/strong> 4 saxophones + video<\/em>
\n24-2\/2023 Museo Universidad de Navarra (Pamplona)
\nSigma Project<\/p>\n

A Tempo<\/a><\/strong> 4 saxophones + video<\/em>
\n10-11\/2\/2023 Fundaci\u00f3n Juan March (Madrid)
\nSigma Project<\/p>\n

[VOIDS] C. Monteverdi – Se dolce \u00e8’l tormento<\/a>\u00a0<\/strong> voice, vclo<\/em>
\n22\/1\/2023. Leonberg (Germany), Festival OUT OF THE BOX
\nTrio vis \u00e0 vis<\/p>\n

[premiere] [VOIDS] C. Monteverdi – Se dolce \u00e8’l tormento<\/a>\u00a0<\/strong> voice, vclo<\/em>
\n20\/1\/2023. Museo del Prado, auditorio (Madrid)
\nTrio vis \u00e0 vis<\/p>\n

\n

2022<\/h3>\n

In praise of the absent<\/a> <\/strong>toy piano + surface speaker<\/em>
\n11\/12\/2022. Teatro Can\u00f3nigos (La Granja)
\nK-OS Groups<\/p>\n

[premiere] inventario de sonidos ausentes<\/a>\u00a0<\/strong> fl, sx, perc. + tape<\/em>
\n26\/11\/2022. Auditorio Arc\u00f3n (Alag\u00f3n, Zaragoza)
\nCuarto de tono Ensemble<\/p>\n

[premiere] [voids] J. S. Bach \u00abA musical offering\u00bb\u00a0<\/strong><\/a> baroque ensemble<\/em>
\n19\/11\/2022. OUT Festival (Barcelona)
\nContinuum XXI<\/p>\n

[premiere] PLAY<\/a>\u00a0<\/strong> small ensemble + video<\/em>
\n3\/11\/2022. Phonos (Barcelona)
\n6\/11\/2022. Geneve (Switzerland)
\nDelirium Ensemble<\/p>\n

mobile.<\/a> <\/strong>wandering performer and percussion<\/em>
\n14\/10\/2022. Facultad Bellas Artes (Valencia)
\nSynergein Project<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/strong><\/a> tactile device + video<\/em>
\n<\/em><\/strong>17-18\/9\/2022 Ensems (Valencia)
\nLuis Azcona, performer<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/strong><\/a> tactile device + video<\/em>
\n<\/em><\/strong>20\/9\/2022 MisoMusic (Lissabon)
\nCristiano Rios, performer<\/p>\n

Portraits<\/a><\/strong> piano + video<\/em>
\n<\/em><\/strong>17\/5\/2022 Danzig (Poland)
\nseveral performers<\/p>\n

[CD premiere] (neo)liberal systems #1 \u00abaccelerando\u00bb<\/a><\/strong> 4 performers<\/em>
\n<\/em><\/strong>May 2022
\nRhea saxophone quartet<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/strong><\/a> tactile device + video<\/em>
\n<\/em><\/strong>1\/5\/2022 Radial (Basel)
\nLuis Azcona, performer<\/p>\n

numbers #1 \u00abpost-truth\u00bb<\/a> <\/strong>saxophone + video
\n<\/em>29\/4\/2022 Fundaci\u00f3 Caixa Castell\u00f3
\nCarlos Tena, saxophone<\/p>\n

(neo)liberal systems #4 \u00abentertainment\u00bb<\/strong><\/a> tactile device + video<\/em>
\n<\/em><\/strong>29\/4\/2022 MisoMusic (Lissabon)
\nCristiano Rios, performer<\/p>\n

mobile.<\/a> <\/strong>wandering performer and percussion<\/em>
\n1\/4\/2022. Paraninfo Universidad. Valencia<\/p>\n

Impossible music #33 \u00abdumb scream\u00bb.<\/a> <\/strong>Installation
\n<\/em>17\/3\/2022. VANG – CentroCentro (MADRID)<\/p>\n

Anatomy of a military march. <\/strong><\/a>For 3 percussion players
\n<\/em>17\/3\/2022 Colegio de Arquitectos, Toledo (Spain)
\nNeopercusi\u00f3n<\/p>\n

Paisajes sonoros de la memoria I<\/strong> new work in progress, ensemble and field recordings<\/em>
\n12\/3\/2022 Alag\u00f3n (Spain)<\/p>\n

[voids] J. S. Bach \u00abRicercare \u00e0 6\u00bb<\/a><\/strong> graphical piece<\/em>
\n<\/em><\/strong>10\/2 to 5\/3\/2022 Galer\u00eda Cruce (Madrid) [collective exhibition]
\n10\/2, 21:30. Live Performance (K-OS Groups)<\/p>\n

numbers #1 \u00abpost-truth\u00bb.<\/a> <\/strong>saxophone + video
\n<\/em>24\/2\/2022 N\u00fcrnberg University of Music
\nHaiyue Chen, saxophone<\/p>\n

guest teacher<\/strong> teaching sessions<\/em>
\n10-12\/1\/2022 Hochschule f\u00fcr Musik – Freiburg in Breisgau (Germany)<\/p>\n

\n

2021<\/h3>\n

[premiere] [voids] J. S. Bach \u00abRicercare \u00e0 6\u00bb<\/a><\/strong> 6 performers<\/em>
\n<\/em><\/strong>4\/12\/2021 Real Sitio de San Ildefonso (Spain)
\nK-OS Groups<\/p>\n

[premiere] (neo)liberal systems #4 \u00abentertainment\u00bb<\/a><\/strong> tactile device + video<\/em>
\n<\/em><\/strong>23\/11\/2021 Hochschule f\u00fcr Musik Bern (talk + presentation)
\n6\/12\/2021 IGNM (Bern, Switzerland)
\nLuis Azcona, performer<\/p>\n

antidisciplina y teatralidad<\/strong> talk<\/em>
\n30\/11\/2021 Universidad Carlos III (Madrid)<\/p>\n

#OccupyYourself<\/a> <\/b>installative performance for 4 percussion players isolated in closed tents in the public space during 12 hours
\n17\/9\/2021 Alicante [Festival Ensems]
\n19\/9\/2021 Plaza Ayuntamiento, Valencia [Festival Ensems]<\/em><\/p>\n

Portraits – Frederic Chopin. <\/a><\/strong>piano + video<\/em>
\n<\/em><\/strong>20\/8\/2021 Alte Feuerwache (Cologne, Germany)
\nMartin von der Heydt, piano<\/p>\n

[premiere] made in china \/ epitaph <\/a> <\/strong>voice, flute, cello + video
\n<\/em>[premiere] impossible translations #5<\/a><\/b> flute + video
\n<\/em>(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a>
\n<\/b>23\/7\/2020 Der Sommer in Stuttgart (Stuttgart)
\ntrio vis-\u00e0-vis<\/p>\n

lectures #3 \u00abthe spectacle is capital in such a degree of accumulation that it becomes an image\u00bb.<\/a> <\/strong> voice + live video
\n<\/em>2\/7\/2021 Spanish Cultural Center (Mexico)<\/p>\n

numbers #1 \u00abpost-truth\u00bb.<\/a> <\/strong>saxophone + video
\n<\/em>3\/6\/2021 Z\u00fcrich University of Arts
\nGemma Galeano, saxophone<\/p>\n

impossible translations #3.<\/a> <\/strong>percussion + video
\n<\/em>29\/5\/2021 Trun (Switzerland)
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

electr\u00f3nica en vivo e invenci\u00f3n de instrumentos.<\/a> <\/strong>conference contribution
\n27\/5\/2021 ICST Z\u00fcrich<\/em><\/p>\n

[premiere] #OccupyYourself<\/a> <\/b>installative performance for 4 percussion players isolated in closed tents in the public space during 12 hours
\n7\/5\/2021 EACC Castell\u00f3n (Spain) [Festival Ensems]
\n8\/5\/2021 Plaza Ayuntamiento, Valencia [Festival Ensems]<\/em><\/p>\n

voids.<\/a> <\/strong>new series for different instruments \/ graphical pieces
\n21\/4\/2021 CSMA Zaragoza (Spain)<\/em><\/p>\n

2020<\/h3>\n

[premiere] made in china<\/b> soprano, flute, cello + video and live elect.
\n<\/em>(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a>
\nlecture #1: crowds and power<\/a>
\n<\/b>(postponed) 12\/11\/2020 Festival S\u00fcdseite Nachts (Stuttgart)
\ntrio vis-\u00e0-vis<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n29\/10\/2020 Teatro Aveirense – Aveiro (Portugal)
\nHellqvist\/Amaral duo<\/p>\n

[premiere] mobile.<\/a> <\/strong>wandering performer and percussion<\/em>
\n25\/10\/2020. Festival After Cage. Pamplona<\/p>\n

NO studies #2; Madrid, 2011\/5\/20 23h44m43s<\/b><\/a> <\/strong>tape<\/em>
\n14\/10\/2020 -11\/1\/21. Museo Reina Sof\u00eda (Madrid)
\nwithin the exhibition AUDIOSFERA: Social Experimental Audio, Pre- and Post-Internet<\/a><\/p>\n

(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/b> instruments + tape<\/em>
\n2\/10\/2020 Z\u00fcrich<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n27\/9\/2020 INTERART – Malm\u00f6 (Sweden)
\nHellqvist\/Amaral duo<\/p>\n

[premiere] mobile.<\/a> <\/strong>wandering performer and percussion<\/em>
\n24\/9\/2020. Festival Internacional de las artes. Salamanca
\nNeopercusi\u00f3n<\/p>\n

elogio de lo ausente.<\/a><\/strong> toy piano and transducer speaker
\n<\/em>19\/9\/2020. Museo Vostell. C\u00e1ceres (Spain)
\nEnsemble Sonido Extremo<\/p>\n

Rastros<\/strong> de<\/strong> VANG: la primavera suspendida<\/strong> book
\n<\/em>9\/2020.
\nBook edition and new text \u00abNot Doing\u00bb<\/p>\n

fade<\/a><\/strong> video
\n<\/em>7\/2020
\nMUVID-Project<\/a> (Elektronisches Studio MHS Freiburg)<\/p>\n

Ritratto senza voce (Billie Holiday)<\/a><\/strong> percussion + video<\/em>
\n6\/3\/2020. Museo Universidad de Navarra (Pamplona, Spain)
\nCarlota C\u00e1ceres, perc.<\/p>\n

[premiere] numbers #3 \u00abmigrants\u00bb<\/strong><\/a> acousmatic (16 channel)<\/em>
\n18\/1\/2020 Theatre du Galpon (Geneve, Switzerland)<\/p>\n

2019<\/h3>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n17\/12\/2019 Kunshaus Helferei (Z\u00fcrich)
\n18\/12\/2019 LeCap (Bern)
\n19\/12\/2019 Ackermannshof (Basel)
\nLemniscate Ensemble \/ Miguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

Portraits – Claude Debussy<\/a> <\/strong>piano + video<\/em>
\n6\/12\/2019 Bydgoszcz (Poland)
\nAdam Kosmiejia, pno.<\/p>\n

dispersion\/concentration<\/a> <\/strong>30 mobile performers in open space<\/em>
\n1\/12\/2019. Festival Internacional Zacatecas (Mexico)<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n29\/11\/2019. Arts Santa M\u00f2nica (Barcelona)
\n21\/12\/2019. Centre d’Art Lo Pati (Amposta)
\nMiquel Vich, perc.<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\nnovember. Geneva International Competition (Switzerland)
\nElliott Harrison, perc.<\/p>\n

Andere<\/a><\/strong> monographic exhibition with Christian Weiss<\/em>
\n10-31\/10\/2019 Villa von Amsberg (Braunschweig, Germany)
\nwith the installations:
\n– [premiere] others<\/strong><\/a> installation (96ch audio, 48 headphones, water)<\/em>
\n– Passive resistance<\/a><\/strong> interactive installation<\/em>
\n– Impossible music #33 \u00abdumb scream\u00bb<\/a><\/strong> interactive installation
\n<\/em> – NO Studies #4 \u00abalphabetically ordered NO…\u00bb<\/a><\/strong> audiovisual object<\/em>
\n– Impossible music<\/a><\/strong> graphic works<\/em><\/p>\n

elogio de lo ausente (sobre un tema de Schumann)<\/a> <\/strong>toy piano + tape<\/em>
\n15-27\/9\/2019 Roaring Hooves (Ulan Bator\/Gobi Dessert. Mongolia)
\nLuc\u00eda Carro (toy piano)<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n12\/9\/2019 Klangspuren Festival Schwaz (Austria)
\nChristian Dierstein, perc.<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n8\/6\/2019 CMMAS – Morelia (Mexico)
\nHellqvist\/Amaral duo<\/p>\n

Ritratto senza voce (Billie Holiday)<\/a><\/strong> percussion + video<\/em>
\n7\/6\/2017. Podium Ibercaja, Salon Arag\u00f3n (Zaragoza)
\nLuis Azcona, perc.<\/p>\n

Portraits – Claude Debussy<\/a> <\/strong>piano + video<\/em>
\n24\/5\/2019 Music Electronica Nova – Wrocklaw (Poland)
\nAdam Kosmiejia, pno.<\/p>\n

Ritratto senza voce (Billie Holiday)<\/a><\/strong> percussion + video<\/em>
\n16\/5\/2019. CSMA. Auditorio (Zaragoza)
\nLuis Azcona, perc.<\/p>\n

elogio de lo ausente (sobre un tema de Schumann)<\/a> <\/strong>toy piano + tape<\/em>
\n16\/5\/2019 CentroCentro Cibeles (Madrid)
\nBeatriz Gonz\u00e1lez (Ensemble Sonido Extremo)<\/p>\n

Portraits – Claude Debussy<\/a> <\/strong>piano + video<\/em>
\n24\/5\/2019 Bydgoszcz Academy of Music (Poland)
\nAdam Kosmieja, pno.<\/p>\n

[premiere] (neo)liberal systems #2 \u00abcrescendo\u00bb <\/strong>2 instruments + tape<\/em>
\n23\/3\/2019 EME (Gij\u00f3n)
\nJ. Javier Rodr\u00edguez + David Delgado (saxos)<\/p>\n

Impossible translations #4 \u00absuite\u00bb<\/a> <\/strong>piano + video<\/em>
\n22\/3\/2019 EMA Festival (Madrid)
\nLlu\u00efsa Espigol\u00e9, pno.<\/p>\n

impossible translations #1<\/a> <\/strong>saxo, percussion + video<\/em>
\n22\/3\/2019 What’s up? Festival (Lyon)
\nParcours Duo<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n10\/2\/2019 Eclat Festival (Stuttgart)
\nHellqvist\/Amaral duo<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n18\/1\/2019 Kassel (Germany)
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

impossible translations #1<\/a> <\/strong>saxo, percussion + video<\/em>
\n16\/1\/2019 Festival Barcelona Modern
\nParcours Duo<\/p>\n

TUTTI! Sobre el paradigma del archivo en las nuevas m\u00fasicas y pr\u00e1cticas de lo sonoro<\/a><\/strong> Text<\/em>
\nSul Ponticello #56<\/p>\n

2018<\/h3>\n

elogio de lo ausente (sobre un tema de Schumann)<\/a> <\/strong>toy piano + tape<\/em>
\n14\/12\/2018 Aula de M\u00fasica (Alcal\u00e1 de Henares)
\nAdriana G\u00f3mez<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n13\/12\/2018 Bruket Periferien (Oslo)
\nHellqvist\/Amaral duo<\/p>\n

impossible translations #1<\/a> <\/strong>saxo, percussion + video<\/em>
\n5\/12\/2018 Th\u00e9\u00e2tre Astr\u00e9e (Lyon)
\nMiquel Vich, Helena Otero<\/p>\n

[premiere] relectures #4 \u00abair\u00bb<\/a> <\/strong> harpsichord + tape<\/em>
\n1\/12\/2018 Lanzarote (Spain)
\nSilvia M\u00e1rquez, harpsichord<\/p>\n

Portraits \/ Georg Philipp Telemann<\/a> <\/strong>baroque ensemble + video<\/em>
\n28\/11\/2018 Alte Feuerwache K\u00f6ln (Germany)
\nEnsemble Continuum XXI<\/p>\n

impossible music<\/a><\/strong> graphic<\/em>
\n16-27\/10\/2018 Exhibition Musiques Murales [Gallerie Satellite (Paris)]<\/p>\n

[premiere] A Tempo<\/a><\/strong> 4 saxophones + video<\/em>
\n29\/10\/2018 Vostell-Malpartida (C\u00e1ceres, Spain)
\nSigma Project<\/p>\n

crowds and power<\/a><\/strong> spoken voice + live electronic<\/em>
\n10\/5\/2018 MUTE Festival (Toledo)
\n\u00d3scar Escudero<\/p>\n

still city blues<\/a><\/strong> installation<\/em>
\n9\/5\/-3\/6\/2018 Teatro La Usina (Madrid)
\nColectivo Ergo Sound<\/p>\n

numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage<\/em>
\n6\/5\/2018 Spor Festival (Aarhus, Denmark)
\nHellqvist\/Amaral duo<\/p>\n

portraits<\/a><\/strong> piano + video<\/em>
\n2\/5\/2018 CSMA (Zaragoza)
\nLlu\u00efsa Espigol\u00e9, coord.<\/p>\n

300kg of music<\/a> <\/strong>2 percussion players, car and performer<\/em>
\n28-29\/4\/2018. Ensems Festival (Valencia)
\nReConvert Duo + Alberto Bernal<\/p>\n

crowds and power<\/a><\/strong> spoken voice + live electronic<\/em>
\n28\/4\/2018 MUAC (Mexico)
\nEnsemble Liminar<\/p>\n

numbers #1 \u00abpost-truth\u00bb<\/a><\/strong>saxophone + tape+video<\/em>
\n22\/4\/2018 FNAC (Madrid)
\n\u00c1ngel Soria, tenor saxophone<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n21\/4\/2018 Fonderie Kugler (Geneve)
\nEnsemble Vortex<\/p>\n

[premiere] numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a> <\/strong>violin, piano + youtube footage
\n<\/em>4\/2018 Mixtur Festival (Barcelona)
\nHellqvist\/Amaral duo<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n14\/4\/2018 Schalter Konzertreihe (Z\u00fcrich)
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n4\/4\/2018. Festival Detours (Grenoble)
\nMiquel Vich, perc.<\/p>\n

relecturas #1 – F. Schubert, Phantasie in F-moll<\/a> <\/strong>audiovisual<\/em>
\n2\/3\/2018. rec_NEXO. Sala Berlanga (Madrid)<\/p>\n

sound disobediences<\/a><\/strong>. round table<\/em>
\n23\/2\/2018. Medialab Prado<\/p>\n

[premiere] Portraits \/ Georg Philipp Telemann<\/a> <\/strong>baroque ensemble + video<\/em>
\n21\/2\/2018 SGAE (Madrid)
\nEnsemble Continuum XXI<\/p>\n

numbers #1 \u00abpost-truth\u00bb<\/a><\/strong>saxophone + tape+video<\/em>
\nHuesca (Spain)
\n\u00c1ngel Soria, tenor saxophone<\/p>\n

2017<\/h3>\n

El timbre y lo dem\u00e1s<\/a><\/strong> Text<\/em>
\nSul Ponticello #44<\/p>\n

NO studies #3. \u00ab173 attempts to play NO. Its resonance. Its NO. A glass\u00bb.<\/a> <\/strong>piano + video<\/em>
\n26\/11\/2017. Biblioteca M\u00e1rio Andrade (S\u00e3o Paulo)
\nTomeu Moll, piano<\/p>\n

Impossible translations #4 \u00absuite\u00bb<\/a>. <\/strong>piano + video<\/em>
\n17\/11\/2017. Festival Punto de Encuentro. Centro Cultural SGAE (Valencia)
\nCarmen Morales, piano<\/p>\n

numbers #1 \u00abpost-truth\u00bb<\/a><\/strong>saxophone + tape+video<\/em>
\n11\/11\/2017. Royal Conservatory of Antwerp
\n\u00c1ngel Soria, tenor saxophone<\/p>\n

In praise of the absent.<\/strong><\/a> toy piano + vibration speaker<\/em>
\n11\/11\/2017. Festival Generate. T\u00fcbingen (Germany)
\nHaize Lizarazu, piano.<\/p>\n

dispersion\/concentration<\/a> <\/strong>30 mobile performers in open space<\/em>
\n27\/10\/2017. Festival After Cage. Calle Mercaderes (Pamplona)<\/p>\n

in<\/del><\/em>audible city<\/a><\/strong> [premiere]<\/a> 4 performers + tape<\/em>
\n25\/10\/2017. Festival After Cage. Teatro Gayarre (Pamplona)
\nPilar Fontalba, Alessandra Rombol\u00e1, Anna Margules, Xelo Giner<\/p>\n

300kg of music<\/a> <\/strong>2 percussion players, car and performer<\/em>
\n29\/9\/2017. Vostell Museum (C\u00e1ceres)
\n6\/10\/2017. Residencia de Estudiantes (Madrid)
\nReConvert Duo + Alberto Bernal<\/p>\n

Passive resistance.<\/a> <\/strong>installation
\n<\/em>7-17\/9\/2017. Proyector International Festival. Medialab Prado (Madrid)<\/p>\n

Crowds and power<\/a> + Elogio de lo ausente<\/a><\/strong>
\n<\/em>21\/7\/2017. Bergerault International Festival. Valdepe\u00f1as (SPAIN)<\/p>\n

Passive resistance<\/a> <\/strong>installation
\n<\/em>18\/7\/2017. Bergerault International Festival. Valdepe\u00f1as (SPAIN)<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n24\/6\/2017. Conservatoire Superieur. Lyon.
\nMiquel Vich, perc.<\/p>\n

Ritratto senza voce (Billie Holiday)<\/a><\/strong> percussion + video<\/em>
\n9\/6\/2017. Ensems. Valencia
\nCarlota C\u00e1ceres, perc.<\/p>\n

Ritratto senza voce (Billie Holiday)<\/a><\/strong> percussion + video<\/em>
\n4\/6\/2017. Es Mercadal. Menorca
\nCarlota C\u00e1ceres, perc.<\/p>\n

[premiere] numbers #1 \u00abpost-truth\u00bb<\/a><\/strong>saxophone + tape<\/em>
\n20\/5\/2017. EMA Festival
\n\u00c1ngel Soria, tenor saxophone<\/p>\n

Re: mind-act-play<\/a> <\/strong>presentation-concert<\/em>
\n19\/5\/2017. EMA Festival
\nCOLECTIVO ERGO SOUND<\/p>\n

[premiere] Ritratto senza voce (Billie Holiday) <\/strong>percussion + video<\/em>
\n6\/5\/2017. Sampler Series. Arts Santa M\u00f2nica. Barcelona.
\nCarlota C\u00e1ceres (Nou Ensemble)<\/p>\n

NO studies<\/a> <\/strong>installative project. several formats<\/em>
\n13-26\/4\/2017. EME. CCAI Gij\u00f3n<\/p>\n

Impossible music #33 \u00bb dumb scream\u00bb<\/a><\/strong> Installation
\n<\/em>16\/3\/2017. Museo Universidad de Navarra (Pamplona)<\/p>\n

How to unbalance the pressures…<\/a> <\/strong>small ensemble and objects<\/em>
\n7\/2\/2017. BKA Theater (Berlin)
\nEnsemble Liminar<\/p>\n

NO studies #1<\/a>c <\/strong>Ensemble + video<\/em>
\n12\/1\/2017. Festival M\u00fasica Actual. Badajoz (Spain)
\nContainer Ensemble<\/p>\n

\n

2016<\/h3>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n13\/12\/2016, 20:00 Teatro Galileo. Madrid.
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

[premiere] dispersi\u00f3n \/ concentraci\u00f3n <\/a><\/strong>30 moving players in an open space <\/em>
\n27\/11\/2016, 13:00. Madrid Art-Son-Mod. Calle Fuencarral
\nWith Neopercusi\u00f3n and Ensemble ONOff<\/p>\n

[premiere] On the deconstruction of a trill III. <\/strong>Bass clarinet + tape
\n<\/em>26\/11\/2016. Festival Punto de Encuentro. M\u00e1laga (SPAIN)
\nSantiago Mart\u00ednez Abad, bass clarinet<\/p>\n

M\u00e1s all\u00e1 del pentagrama. <\/strong>Lecture
\n<\/em>23\/11\/2016. Etopia. Zaragoza (SPAIN)<\/p>\n

Passive resistance. <\/a><\/strong>Installation
\n<\/em>23\/11-16\/12\/2016. Etopia. Zaragoza (SPAIN)<\/p>\n

Fuera de tono<\/a><\/strong> Text series<\/em>
\nSul Ponticello #32<\/p>\n

Impossible music #33 \u00bb dumb scream\u00bb<\/a><\/strong> Installation
\n<\/em>5\/11\/2016. La Neomud\u00e9jar (Madrid)
\n7\/11\/2016. Soria (Spain)<\/p>\n

Meeting with Alberto Bernal <\/strong>online meeting<\/em>
\n11\/10\/2016. Conservatorio Superior de M\u00fasica Astor Piazzola (Buenos Aires)<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n1\/10\/2016. Zamora (Spain).
\n7\/10\/2016. Basel.
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

Elogio de lo ausente<\/a> <\/strong>toy piano + vibration speaker<\/em>
\n26\/7\/2016. 21:00. Simposio \u00abUtop\u00eda y Edad de Oro\u00bb (Cuenca)
\nAdriana G\u00f3mez Cervera, toy piano<\/p>\n

NO studies #3. 193 attempts to play NO. Its resonance. Its NO. A glass<\/a> <\/strong>piano, glass and video<\/em>
\n24\/7\/2016. C.I.N.E. Sineu (Spain)
\nTomeu Moll, piano<\/p>\n

300kg of music<\/a> <\/strong>2 percussion players, car and performer<\/em>
\n16\/7\/2016. SIRGA Festival. Museo Lo Pati (Amposta)
\nReConvert Duo + Alberto Bernal<\/p>\n

Portraits<\/a> <\/strong>piano + video<\/em>
\n14\/7\/2016. Incl\u00e0ssic Festival, Inca (Spain)
\nTomeu Moll, piano<\/p>\n

Elogio de lo ausente<\/a> <\/strong>toy piano + vibration speaker<\/em>
\n7\/2016. Cuenca.
\nAdriana G\u00f3mez, piano<\/p>\n

La belleza sonora de las ideas<\/a><\/strong> Text<\/em>
\nSul Ponticello #28<\/p>\n

NO studies #1<\/a><\/strong> saxophone ensemble and real time video<\/em>
\n30\/5\/2016. 20:30. Teatro Galileo (Madrid)
\nPedro Pablo C\u00e1mara (dir.)<\/p>\n

mobile<\/a><\/strong> piece for garden, wandering performer and moving instruments<\/em>
\n26\/5\/2016. 13:00. Universidad de Zaragoza, Paraninfo
\nnew version by pupils of the performative arts CSMA (dir. Llu\u00efsa Espigol\u00e9)<\/p>\n

Elogio de lo ausente<\/a> <\/strong>toy piano + vibration speaker<\/em>
\n14\/5\/2016. 21:00. EMA Festival (Madrid)
\nHaize Lizarazu, piano<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n12\/5\/2016. Gare du Nord. Basel.
\nMiguel \u00c1ngel Garc\u00eda, perc.<\/p>\n

Impossible music #33 \u00bb dumb scream\u00bb<\/a><\/strong> Installation
\n<\/em>8\/5\/2016. Museo Thyssen (M\u00e1laga, Spain)<\/p>\n

Composers forum USC <\/strong>Meeting<\/em>
\n1\/4\/2016. University of Southern California (Los Angeles)<\/p>\n

How to unbalance the pressures that correspond… <\/strong>concert and round table<\/em>
\n31\/3\/2016. University of Southern California (Los Angeles)
\nAlberto Bernal with Ronald Mendoza and Veronika Krausas<\/p>\n

Meeting with Alberto Bernal<\/strong>
\n15\/3\/2016. Centro Espa\u00f1ol (Los Angeles)<\/p>\n

Found sounds<\/a> & Found musics<\/a> <\/strong>Sound installations<\/em>
\n<\/em>8-27\/3\/2016. EME. CCAI (Gij\u00f3n, Spain)<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n4\/3\/2016. Appels and Olives Festival. Z\u00fcrich.
\nEnsemble This Ensemble That (Miguel \u00c1ngel Garc\u00eda, perc.)<\/p>\n

Elogio de lo ausente<\/a> <\/strong>toy piano + vibration speaker<\/em>
\n25\/2\/2016. 19:30. Musikhuset Aarhus (Denmark)
\nFaces Ensemble<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\n10\/2\/2016. Festival Internacional de Percusi\u00f3n. CSMA (Zaragoza)
\nDavid Cano, perc.<\/p>\n

Impossible translations #3b<\/a> <\/strong>percussion + video<\/em>
\nAudiovisual recording. Musikakademie Basel.
\nMiguel \u00c1ngel Garc\u00eda, perc. + Alex Kordzaia (sound)<\/p>\n

\n

2015<\/h3>\n

\u00bfC\u00f3mo desequilibrar las presiones…<\/a> <\/strong>voz, objetos y electr\u00f3nica en vivo<\/em>
\n11\/12\/2015. 19:30. Festival Transhumancia. Centro Centro (MADRID)
\nAlberto Bernal (+ discusi\u00f3n)<\/p>\n

NO studies #3. 193 attempts to play NO. Its resonance. Its NO. A glass<\/a> <\/strong>piano, copa y v\u00eddeo<\/em>
\n14\/11\/2015. 22:00. Festival SIRGA (Tortosa)
\nTomeu Moll, piano<\/p>\n

\u00bfC\u00f3mo desequilibrar las presiones…<\/a> <\/strong>For small ensemble and objects<\/em>
\n24\/10\/2015. 19:30. Festival I. M. Contempor\u00e1nea. Tres Cantos (SPAIN)
\nNou Ensemble<\/p>\n

elogio de lo m\u00ednimo. <\/strong>curated concert<\/em>
\n30\/6, 20:00. Casa do Saber. LUGO
\nVertixe Sonora Ensemble<\/p>\n

NO studies #4.<\/a><\/strong> Audiovisual object<\/em>
\n30\/6, 20:00. PALMA DE MALLORCA<\/p>\n

[premiere] mobile.<\/a> <\/strong>wandering performer and percussion<\/em>
\n24\/6, 19:30. Museo Reina Sof\u00eda Courtyard. MADRID
\nNeopercusi\u00f3n<\/p>\n

[premiere] 0.997.<\/a> <\/strong>long distance runner, sax ensemble and real time video<\/em>
\n10\/6, 20:30. Teatros del Canal. Sala Verde. MADRID
\n\u00c1ngel Soria, Sigma Project, \u00c0lex Serrano, Ferr\u00e1n Dordal<\/p>\n

crowds and power.<\/strong> Voice and live electronics<\/em>
\n20\/5, 20:00. Palacio dos arcipestres, LINDA A VELHA (PORTUGAL)
\nDiogo Batista<\/p>\n

NO studies #1b.<\/strong> <\/a>Ensemble and video<\/em>
\n20\/5, 19:30. Kulturhaus Helferei. Z\u00dcRICH
\nEnsemble Lunaire<\/p>\n

[premiere] relectures #3 – R. Schumann’s 3 Fantasiest\u00fccke.<\/strong><\/a> Cello, piano and resonant book<\/em>
\n19\/5, 20:00. Palau de les arts. VALENCIA.
\nGuillermo Pastrana and Mario Prisuelos<\/p>\n

[premiere] impossible translations #3b. <\/a><\/strong>Percussion and video
\n<\/em>16\/5, 20:00. Musikakademie BASEL
\nMiguel \u00c1ngel Garc\u00eda<\/p>\n

NO studies #1b.<\/strong><\/a> Ensemble and video<\/em>
\n15\/5, 19:30. Unternehmen Mitte Tresorraum. BASEL
\nEnsemble Lunaire<\/p>\n

elogio de lo ausente.<\/a><\/strong> Toy piano and vibration speaker<\/em>
\n13\/5, 20:00. Forum Stadtpark, GRAZ (AUSTRIA)
\nEnsemble Schallfeld<\/p>\n

voice-piano-voice.<\/strong><\/a> Monographic concert<\/em>
\n9\/5, 20:30. Festival EMA, MADRID
\nAlberto Bernal and Duo Soul Tasto<\/p>\n

[premiere] NO studies #1b.<\/strong><\/a> Ensemble and video<\/em>
\n16\/4, 20:00. Unternehmen Mitte Tresorraum. BASEL
\nEnsemble Lunaire<\/p>\n

elogio de lo ausente.<\/strong> <\/a>Toy piano and vibration speaker<\/em>
\n20\/3, 20:00. Laboral Centro de Arte. GIJ\u00d3N (SPAIN)
\n13\/3, 20:00. CCAI GIJ\u00d3N (SPAIN)
\nYolanda Calvo<\/p>\n

Action composing, reflections on performative composition<\/strong>. Lecture
\n16\/2, 10:00. Jornadas de M\u00fasica contempor\u00e1nea de GRANADA
\n<\/em><\/p>\n

De Natura El\u00e8ctrica.<\/strong> CD presentation with the piece NO studies #3<\/em>
\n8\/2, 12:00. Casa de Cultura Sa Nostra. PALMA DE MALLORCA
\nTomeu Moll<\/p>\n

\n

2014<\/h3>\n

voice-piano-voice<\/strong><\/a>.<\/a> Monographic concert<\/em>
\n28\/12, 20:00. Festival DME. SEIA (PORTUGAL)
\nAlberto Bernal<\/p>\n

Deconstruction – J. S. Bach Ricercare a 6<\/strong><\/a>.<\/strong> <\/a>Music for the documentary film \u00abNo te mueras sin ir a Ronchamp\u00bb<\/em>
\n26\/12, 20:00. RTVE<\/p>\n

El sonido de lo que no suena<\/strong>. Workshop<\/em>
\n20-21\/12. MARCO VIGO (SPAIN)<\/p>\n

Crowds and power + G8-stars and stripes<\/strong>. Performance<\/em>
\n19\/12, 20:00. MARCO VIGO (SPAIN)
\nAlberto Bernal<\/p>\n

23 musics that changed hearing: Peter Ablinger<\/strong>. Lecture<\/em>
\n18\/12, 20:00. MARCO VIGO (SPAIN)<\/p>\n

Sound poetics of time and resistance.<\/strong><\/a> Lecture<\/em>
\n5\/12. Time and image conference. Pompeu Fabra University (BARCELONA)<\/p>\n

New sound formats and possibilites of the digital medium<\/strong>. Lecture<\/em>
\n1\/2. Reset-Injuve. MADRID<\/p>\n

Impossible music #33 \u00bb dumb scream\u00bb<\/strong><\/a>.<\/a> Installation<\/em>
\n28\/11. Nou Ensemble Technics Tourn\u00e9e. Libros Melior. MADRID
\n27\/11. Nou Ensemble Technics Tourn\u00e9e. Smash Festival. SAN SEBASTI\u00c1N
\n26\/11. Nou Ensemble Technics Tourn\u00e9e. Guggenheim Museum BILBAO<\/p>\n

NO studies #3<\/em><\/strong><\/a>. Piano and video<\/em>
\n25\/11, 20:00. ZKM KARLSRUHE (GERMANY)
\nRei Nakamura<\/p>\n

Lecture about own works<\/strong>
\n23&11. Musikene. SAN SEBASTI\u00c1N<\/p>\n

Impossible translations #2<\/strong><\/a>.<\/a> Violin, cello and piano + video<\/em>
\n20\/11. Smash Festival. SAN SEBASTI\u00c1N
\nSmash Ensemble<\/p>\n

NO studies #3<\/strong><\/a>.<\/a> Piano and video<\/em>
\n15\/11. EDINBURGH
\nRei Nakamura<\/p>\n

[premiere] NO studies #3<\/strong><\/a>.<\/a> Piano and video<\/em>
\n8\/11, 20:00. Festival Bernaola. VITORIA (SPAIN)
\nRei Nakamura<\/p>\n

NO studies #2<\/strong><\/a>. <\/a>Tape<\/em>
\n31\/10, 20:00. Centro Centro MADRID<\/p>\n

Impossible translations #1b<\/strong><\/a>. Sax, percussion and video<\/em>
\n21\/7. ONTIYENT (SPAIN)
\nXelo Giner and Sisco Aparici<\/p>\n

Portraits<\/strong>.<\/a> Piano and video<\/em>
\n28\/6. Ircam PARIS
\nMario Prisuelos<\/p>\n

Relecturas #1. Schubert’s Fantasie in F moll<\/strong><\/a>.<\/a> Installation<\/em>
\n3-7\/6. Mostra Sonora Convent Sant Agust\u00ed. BARCELONA
\nAlter Face, pianos<\/p>\n

Action composing, reflexions on performative composition. <\/strong>Lecture<\/em>
\n23\/5. Festival Relay. Galer\u00eda Cruce, MADRID<\/p>\n

[premiere] Elogio de lo ausente<\/strong><\/a>.<\/a> Toy piano and vibration speaker<\/em>
\n11\/5, 18:00. Mostra Sonora de SUECA (SPAIN)
\nV\u00edctor Trescol\u00ed<\/p>\n

\u00bfC\u00f3mo desequilibrar las presiones que se corresponden..<\/a>.<\/strong> ensemble and objects<\/em>
\n10\/5. Foro Shakespeare. MEXICO DF
\n9\/5. Fonoteca Nacional. MEXICO DF
\n7\/5. Goethe Institut. MEXICO DF
\nEnsemble Liminar<\/p>\n

Portraits.<\/strong><\/a> Installation<\/em>
\n7\/5. Goethe Institut. MEXICO DF<\/p>\n

Portraits<\/strong><\/a>. Piano and video<\/em>
\n21\/3, 20:00. Festival M\u00fasica Contempor\u00e1nea C\u00d3RDOBA (SPAIN)
\nMario Prisuelos<\/p>\n

\u00bfC\u00f3mo desequilibrar las presiones que se corresponden…<\/strong><\/a> ensemble and objects<\/em>
\n19\/3, 20:00. Festival M\u00fasica Contempor\u00e1nea C\u00d3RDOBA (SPAIN)
\nNou Ensemble<\/p>\n

Music and its other. <\/strong>Lecture
\n<\/em>9\/3, 20:00. EME GIJ\u00d3N (SPAIN)<\/p>\n

[premiere] Mixtures #1.<\/a> <\/strong>Organ and live electronics
\n10\/3, 20:00. EME GIJ\u00d3N (SPAIN)
\nFernando \u00c1lvarez<\/p>\n

Impossible music #33 \u00bb dumb scream\u00bb<\/strong><\/a>.<\/a> Installation<\/em>
\n13-23\/2. Festival Franqueados. El arrebato libros MADRID<\/p>\n

Round table with Mesias Maiguashca, Sergio Luque and Eduardo Polonio
\n<\/strong>7\/2, 19:00. Jornadas Creaci\u00f3n Electroac\u00fastica CSKG. MADRID<\/p>\n

Voice, text and performance. <\/a><\/strong>Lecture
\n<\/em>17\/1, 19:30. Funci\u00f3n Lenguaje. MADRID<\/p>\n

The outer world of the inner world of the outer world. <\/a><\/strong>String orchestra
\n<\/em>10\/1, 20:00. Museo Es Baluard. PALMA DE MALLORCA
\nOrquesta Sinf\u00f3nica Illes Balears, Luis Remart\u00ednez<\/p>\n

\n

2013<\/h3>\n

G8 – Stars and stripes. <\/strong>Tape
\n<\/em>21\/12. Contemporary Music Center MILAN<\/p>\n

[premiere] Impossible translations #4. <\/strong>Piano and video
\n<\/em>8\/12. Festival TDM CULLERA (SPAIN)
\nLlu\u00efsa Espigol\u00e9<\/p>\n

[premiere] NO studies #1. <\/strong>Saxophone ensemble + video
\n<\/em>1\/12, 28-11. Rencontres Asax BOURDEAUX
\nConsmupa Saxophone Ensemble<\/p>\n

[premiere] \u00bfC\u00f3mo desequilibrar las presiones… <\/strong>Ensemble and objects<\/em>
\n<\/em>30\/11. Auditori BARCELONA
\n29\/11. Funci\u00f3n Lenguaje, MADRID
\n28\/11. Festival Encuentros Sonoros, SEVILLA
\nNou Ensemble<\/p>\n

[premiere] Passive resistance. <\/strong>Installation
\n<\/em>27\/9. Noche Blanca. GIJ\u00d3N (SPAIN)<\/p>\n

[premiere] Portraits, J. S. Bach. <\/strong>Piano and video
\n<\/em>10\/8. Festival MM-Mix. PALMA DE MALLORCA
\nTomeu Moll<\/p>\n

Crowds and power, lecture. <\/strong>Performance
\n<\/em>24\/5. Funci\u00f3n Lenguaje MADRID
\n17\/4. Consmupa OVIEDO (SPAIN)
\nAlberto Bernal<\/p>\n

T\u00edmpanos. <\/strong>Portrait concert<\/em>
\n<\/em>4\/4. Festival Interacciona SAN LUIS POTOS\u00cd (MEXICO)
\nAlberto Bernal<\/p>\n

[premiere] <\/strong>Portraits. <\/strong>Piano and video
\nImpossible music #33 \u00abdumb scream\u00bb. <\/strong>Installation
\n<\/em>18\/3. EME GIJ\u00d3N (SPAIN)
\nAlberto Bernal<\/p>\n

Sounds and bodies. <\/strong>Workshop
\n18-22\/3. EME GIJ\u00d3N (SPAIN)<\/p>\n

Electroacoustic composition. <\/strong>Workshop
\n20-21\/1. Espacio Sinkro, VITORIA (SPAIN)<\/p>\n

\n

2012<\/h3>\n

Buying a life. <\/strong>Theatre collaboration
\n<\/em>1-30\/10. Garaje Lumiere. MADRID<\/p>\n

Alberto Bernal + Trevor Wishart. <\/strong>Concert
\n<\/em>6\/10. Espacio Tangente, BURGOS (SPAIN)<\/p>\n

Grim[m]. <\/strong>Theatre collaboration with Christian Weiss and Luise Kr\u00fcger
\n<\/em>1-30\/9. LOT Theater BRAUNSCHWEIG (GERMANY)<\/p>\n

Portrait concert
\n<\/strong>23\/5. Instituto Cervantes PALERMO (ITALY)
\nAlberto Bernal<\/p>\n

[premiere] Endphase 18-4 \u00abPigs\u00bb. <\/strong>Performance
\n<\/em>11\/5. DUBLIN
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

[premiere] Buying a life. <\/strong>Theatre collaboration
\n<\/em>26-28\/4. Espacio Kubik, MADRID<\/p>\n

[premiere] Absent made present. <\/strong>Contemporary dance collaboration
\n<\/em>29-31\/3. Royal Opera House, LONDON
\nWith Freddie Opoku-addaie<\/p>\n

Music and space. <\/strong>Lecture
\n<\/em>3\/3. Aula de M\u00fasica Experimental, MADRID<\/p>\n

[premiere] Endphase 18-3 \u00abnotturno\u00bb. <\/strong>Performance
\n<\/em>16\/1. Festival Interacciona, SAN LUIS POTOS\u00cd (MEXICO)
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

Resident teacher
\n<\/strong>23-27\/1. Festival Interacciona. SAN LUIS POTOS\u00cd (MEXICO)<\/p>\n

\n

2011<\/h3>\n

The world made sound. <\/strong>Course
\n<\/em>17\/11. LIEM (MADRID)<\/p>\n

Endphase 19 \u00aboffice music\u00bb. <\/strong>Performance and installation
\n<\/em>4-9\/1o. Ny Musikk (OSLO)
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

La creaci\u00f3n musical, hoy. <\/strong>Workshop
\n<\/em>29\/9. Injuve (MADRID)<\/p>\n

[premiere] Impossible translations #2. <\/strong>String piano trio + video
\n<\/em>22\/9. Festival Klangspuren, Schwaz (AUSTRIA)
\nTr\u00edo Arb\u00f3s<\/p>\n

[premiere] Politicking oath. <\/strong>Dance collaboration with F.Opoku
\n<\/em>1-30\/8. EDINBURGH International Festival<\/p>\n

Endphase 18 \u00abmixed cities\u00bb. <\/strong>Performance
\n<\/em>8\/8. PD Convention Weimar (GERMANY)
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

Palabras son sonidos son palabras. <\/strong>Broadcasting
\n<\/em>24\/7. Ars Sonora RTVE (MADRID)<\/p>\n

[premiere] Impossible music #33 \u00abgrito mudo\u00bb. <\/strong>Installation
\n<\/em>11-17\/7. Galer\u00eda 6+1. Proyector International Videoart Festival (MADRID)<\/p>\n

[premiere] D\u00edptico. <\/strong>Sound installation
\n<\/em>25-29\/5. Mostra sonora de Sueca (SPAIN)<\/p>\n

[premiere] Impossible translations #1. <\/strong>For bass clarinet, percussion and video
\n<\/em>25\/5. Mostra Sonora de Sueca (SPAIN)
\nDuometrie (Enric Monfort, Carlos G\u00e1lvez)<\/p>\n

[premiere] Crowds and power. <\/strong>Stage project with Christian Weiss
\n<\/em>5\/5. Kunstm\u00fchle Braunschweig (GERMANY)<\/p>\n

Palabras son sonidos son palabras. <\/strong>Pedagogic project
\n<\/em>27\/4. La noche de los libros. Medialab Prado (MADRID)<\/p>\n

New music with new media. <\/strong>Lecture
\n<\/em>25\/3. EME Gij\u00f3n (SPAIN)<\/p>\n

Crowds and power. Lecture. <\/strong>For speaking voice and live electronics
\n<\/em>22\/3. Phonos BARCELONA
\nAlberto Bernal, voice<\/p>\n

Endphase 18 \u00abmixed cities\u00bb. <\/strong>Performance
\n<\/em>12\/3. Festival Sinkro, Vitoria (SPAIN)
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

Dentro y fuera. <\/strong>Lecture
\n<\/em>26\/2. Medialab Prado (MADRID)<\/p>\n

Performance with Artur Vidal (sax.)
\n<\/strong>30\/1. Galer\u00eda Cruce (MADRID)<\/p>\n

The world made sound. <\/strong>Course
\n<\/em>30\/11-1\/12. LIEM Museo Reina Sof\u00eda (MADRID)<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic music
\n<\/em>20\/1. Acousmain 13. Frankfurt (GERMANY)<\/p>\n

\n

2010<\/h3>\n

New music and new media. <\/strong>Lecture
\n<\/em>27\/11. European Creation Workshop. Espacio Menos Uno (MADRID)<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic music
\n<\/em>25\/11. Sonidero 1. CANTE San Luis Potos\u00ed (MEXICO)<\/p>\n

4 principles. <\/strong>For amplified accordion
\n<\/em>30\/10. Festival Keroxen, Tenerife (SPAIN)
\nDamian Paradisi, accordion<\/p>\n

[premiere] impossible music. <\/strong>Several non sounding formats
\n<\/em>13\/10-30\/11. Festival In-Sonora. MADRID<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic music
\n<\/em>30\/6. Museo Reina Sof\u00eda, Auditorio 400 (MADRID)<\/p>\n

Sound is what remains. <\/strong>For dancers, movement detector and live electronics
\n<\/em>Crowds and power, lecture. <\/strong>For speaking voice and live electronics
\n<\/em>26\/6. Bitef Teatar, BELGRADE<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic music
\n<\/em>29\/5. Foro Internacional Manuel Enr\u00edquez, Centro Nacional de las Artes (MEXICO)<\/p>\n

Sound spaces. <\/strong>Course
\n<\/em>28-30\/5. Encuentros de M\u00fasica Electroac\u00fastica, Gij\u00f3n (SPAIN)<\/p>\n

Endphase 17 \u00abdas Eigene und das Fremde\u00bb. <\/strong>Performance
\n<\/em>14\/5. Festival Mehrklang, Freiburg (GERMANY)
\nWith Joao Pais and Servando Barreiro<\/p>\n

Paseador de perros; sonorizaci\u00f3n. <\/strong>Sound installation
\n<\/em>23\/4. La noche de los libros (MADRID)<\/p>\n

[premiere] Passion. <\/strong>Stage piece for countertenor, ensemble and recorded sounds
\n<\/em>31\/3. Teatro Gayarre, Pamplona (SPAIN)
\nEnsemble Laboratorium, Luis Calero, Pablo Ramos<\/p>\n

\n

2009<\/h3>\n

Feliz Navidad. <\/strong>Performance
\n<\/em>18\/12. Noche de performance 15+1. Sede Peri\u00f3dico Diagonal (MADRID)<\/p>\n

Anatomy of a military march. <\/strong>For 3 percussion players
\n<\/em>15\/12. Centro Cultural Galileo. MADRID
\nNeopercusi\u00f3n<\/p>\n

On the deconstruction of a trill II. <\/strong>For live and recorded sax
\n<\/em>24\/11. Festival Punto de Encuentro. VALENCIA
\nXelo Giner, sax<\/p>\n

\u00abMusik\u00bb. <\/strong>For mechanical piano
\n<\/em>24\/11. Festival Ars Automata. Matadero MADRID<\/p>\n

Meeting and conversation with Peter Ablinger
\n<\/strong>10\/11. Festival Ars Automata. Matadero MADRID<\/p>\n

Performance with dance and video
\n<\/strong>21\/10. Masuno en escena. MADRID
\nWith Maite Lara\u00f1eta, Esteban Algora and Mario Cruz<\/p>\n

Homenaje al silencio. <\/strong>Interpretaci\u00f3n de 4’33\u00bb
\n<\/em>19\/9. La noche en blanco. MADRID<\/p>\n

Anatomy of a military march. <\/strong>For 3 percussion players
\n<\/em>28\/8. PUERTO RICO
\nNeopercusi\u00f3n<\/p>\n

Espacio interactivo. <\/strong>Lecture
\n<\/em>30\/6. LIEM, Museo Reina Sof\u00eda, MADRID<\/p>\n

De la luna, las estrellas y otros astros. <\/strong>Performance
\n<\/em>24\/6. Centro Cultural Galileo
\nWith Joao Pais and Neopercusi\u00f3n<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>18\/6. Primavera Electroac\u00fastica, VALENCIA<\/p>\n

Anatomy of a military march. <\/strong>For 3 percussion players
\n<\/em>7\/6. TOLEDO
\nNeopercusi\u00f3n<\/p>\n

on the deconstuction of a trill II. <\/strong>For live and recorded sax
\n<\/em>3\/6. Festival Sonoimagen, SALAMANCA
\nAndr\u00e9s Gomis, sax<\/p>\n

\u00abElectroac\u00fastica\u00bb. <\/strong>Broadcasting
\n<\/em>2,9,16,23,30\/6. Radio C\u00edrculo. 100.4 FM
\nWith Mar\u00eda Santacecilia<\/p>\n

Endphase 15. <\/strong>Performance
\n<\/em>31\/5. Festival Sonoimagen, SALAMANCA
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

An\u00e1lisis de los estilos musicales. <\/strong>Course
\n<\/em>6,7,8,13,14\/5. CPR Calahorra, SPAIN<\/p>\n

Nuevos medios para la composici\u00f3n. <\/strong>Course
\n<\/em>4,5,11,12,13\/5. Conservatorio Superior SALAMANCA<\/p>\n

\u00abM\u00fasica y palabra\u00bb. <\/strong>Broadcasting
\n<\/em>5,12,19,26\/5. Radio C\u00edrculo. 100.4 FM
\nWith Mar\u00eda Santacecilia<\/p>\n

On the deconstuction of a trill II. <\/strong>For live and recorded sax
\n<\/em>2\/5. Universidad de Averio (PORTUGAL)
\nXelo Giner, sax<\/p>\n

[premiere] Anatomy of a military march. <\/strong>For 3 percussion players
\n<\/em>30\/4. Festival de m\u00fasica de Albacete, SPAIN
\nNeopercusi\u00f3n<\/p>\n

\u00abEsto es Am\u00e9rica\u00bb. <\/strong>Broadcasting
\n<\/em>7,14,21,28\/4. Radio C\u00edrculo. 100.4 FM
\nWith Mar\u00eda Santacecilia<\/p>\n

The outer world of the inner world of the outer world. <\/strong>For string orchestra
\n<\/em>3\/4. Casa del Cord\u00f3n. Burgos (SPAIN)
\n4\/4. Auditorio Miranda de Ebro (SPAIN)
\nAntares Ensemble. Eduardo Portal, dir.<\/p>\n

\u00abEspectralismo\u00bb. <\/strong>Broadcasting
\n<\/em>3,10,17,24\/3. Radio C\u00edrculo. 100.4 FM
\nWith Mar\u00eda Santacecilia<\/p>\n

\u00abTradici\u00f3n y vanguardia\u00bb. <\/strong>Broadcasting
\n<\/em>3,10,17,24\/2. Radio C\u00edrculo. 100.4 FM
\nWith Mar\u00eda Santacecilia<\/p>\n

[premiere] on the deconstruction of a cluster. <\/strong>For piano
\n<\/em>19\/1. Museo Reina Sof\u00eda, Auditorio 400 (MADRID)
\nHoracio Lavandera, piano<\/p>\n

\n

2008<\/h3>\n

La pedagog\u00eda de la m\u00fasica electroac\u00fastica. <\/strong>Broadcasting
\n<\/em>27\/12. Ars Sonora. RTVE<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>14\/12. Festival Ruidocracia, MADRID<\/p>\n

La realidad de la m\u00fasica y la m\u00fasica de la realidad. <\/strong>Lecture
\n<\/em>13\/12. Festival Ruidocracia, MADRID<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>26\/11. Festival Punto de Encuentro, TENERIFE<\/p>\n

[premiere] C\/ Ferraz, 62 (Madrid) 1993-97, reminiscencias. <\/strong>For piano
\n<\/em>21\/11. Auditorio Nacional, MADRID
\nEva Alc\u00e1zar, piano<\/p>\n

Improvisaci\u00f3n electroac\u00fastica conceptual. Theory and aesthetics. <\/strong>Course
\n<\/em>18-19\/11. LIEM, Museo Reina Sof\u00eda, MADRID<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>28\/10. Festival Punto de Encuentro, MADRID<\/p>\n

La r\u00e9alit\u00e9, Schaeffer, sa trace et la musique. <\/strong>Electroacoustic piece
\n<\/em>25\/10. CD Presentation. VALENCIA<\/p>\n

On the deconstruction of a trill. <\/strong>For live and recorded flute
\n<\/em>10. CD Recording
\nJulian Elvira,flute<\/p>\n

La representaci\u00f3n simb\u00f3lica de la realidad ac\u00fastica. <\/strong>Lecture
\n<\/em>2\/7. Instituto de \u00d3ptica, CSIC, MADRID<\/p>\n

Lo propio y lo ajeno en la creaci\u00f3n actual. <\/strong>Round table
\n<\/em>6\/6. Feria del libro, MADRID<\/p>\n

[premiere] Instrumentation of a discourse. <\/strong>For mechanical piano
\n<\/em>31\/5. Happy Days Festival, OSLO<\/p>\n

[premiere] On the deconstruction of an ending. <\/strong>For string piano trio<\/em>
\n<\/em>13\/5. Residencia de Estudiantes, MADRID
\n23\/5. Festival Ensems. Teatro Tal\u00eda, VALENCIA
\nTr\u00edo Arb\u00f3s<\/p>\n

Monographic concert<\/strong>
\n22\/4. Cultural Centre, BELGRADE<\/p>\n

[premiere] On the deconstruction of a cycle
\n<\/strong>14\/4. Festival de M\u00fasica Contempor\u00e1nea, SALAMANCA
\nProyecto Sonata<\/p>\n

Endphase 0.2. <\/strong>Performance
\n<\/em>11\/4. Galer\u00eda Cruce, MADRID
\nWith Joao Pais and Enrique Tom\u00e1s<\/p>\n

Arte, realidad y s\u00edmbolo. <\/strong>Lecture
\n<\/em>25\/3. Residencia de Estudiantes, MADRID<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>13\/3. Festival Zeppelin, CCCB, BARCELONA<\/p>\n

An\u00e1lisis de los estilos musicales. <\/strong>Course
\n<\/em>February. CFIE Astorga, SPAIN<\/p>\n

G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>26\/2. BKA Theater. BERLIN<\/p>\n

The music of Alberto Bernal. <\/strong>Broadcasting
\n<\/em>24\/1. Deutschland Radio Kultur.<\/p>\n

\n

2007<\/h3>\n

Endphase<\/strong> workshop
\n20\/12. Escola Superior de M\u00fasica, LISBOA
\n16-18\/12. DMA, SEIA
\n15\/12. Casa da M\u00fasica, PORTO
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Endphase 13. <\/strong>Performance
\n<\/em>19\/12. F\u00e1brica do Bra\u00e7o de Prata, Lisboa
\n17\/12. Dias de M\u00fasica Electroac\u00fastica, Seia
\n14\/12. Museo Serralves, Porto
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Concert with music by Johannes Kreidler, Alberto Bernal and Joao Pais
\n<\/strong>16\/12. Dias de M\u00fasica Electroac\u00fastica, Seia<\/p>\n

[premiere] G8 – stars and stripes. <\/strong>Electroacoustic piece
\n<\/em>14\/12. Museo Serralves, PORTO<\/p>\n

[premiere] on the deconstuction of a trill II. <\/strong>For live and recorded sax
\n<\/em>14\/12. CIMTEC, SEVILLA
\nXelo Giner, sax<\/p>\n

[premiere] woArLlLds. <\/strong>Audiovisual installation
\n<\/em>16-28\/10. Festival In-Sonora. MADRID
\nWith Fernando Garc\u00eda<\/p>\n

M\u00fasica substractiva. <\/strong>Lecture
\n<\/em>22\/9. Jornadas de Percusi\u00f3n, Rianxo (SPAIN)<\/p>\n

Endphase 12. <\/strong>Performance
\n<\/em>21\/9. Electronic church. BERLIN
\nWith Johannes Kreidler and Joao Pais<\/p>\n

4 principles. <\/strong>For amplified accordion
\n<\/em>11\/9. BKA Theater. BERLIN
\nSilke Lange, accordion<\/p>\n

[premiere] Claustro abierto. <\/strong>For bass flute and live electronics
\n<\/em>8\/9. Festival Encuentros. Cuenca, SPAIN
\nJuli\u00e1n Elvira, flute<\/p>\n

[premiere] through the wall. <\/strong>For string piano trio and 3 percussion players
\n<\/em>16\/4. Auditorio 400, Museo Reina Sof\u00eda, MADRID
\nTr\u00edo Arb\u00f3s, Neopercusi\u00f3n<\/p>\n

M\u00fasica, realidad y nuevos medios. <\/strong>Lecture
\n<\/em>24\/3. Medialab, MADRID<\/p>\n

Nueva m\u00fasica y nuevos medios. <\/strong>Workshop
\n<\/em>9,23\/3. Aula de M\u00fasicas, MADRID<\/p>\n

Principio Rothko. <\/strong>Lecture
\n<\/em>8\/3. Aula de M\u00fasicas, MADRID<\/p>\n

\n

2006<\/h3>\n

wi[e]der. <\/strong>For orchestra (reading of the piece)<\/em>
\n30\/10. Stuttgart
\nSWR Orchestra Stuttgart. Manfred Trojahn, dir.<\/p>\n

Music and deconstruction. <\/strong>Lecture
\n<\/em>7\/10. Espacio menosuno. MADRID<\/p>\n

On the deconstruction of a whole. <\/strong>For solo bassoon and solo auditor
\n<\/em>18\/8. Kunsthalle DARMSTADT
\nElise Jacoberger, bassoon<\/p>\n

On the deconstruction of a military roll. <\/strong>For 2 percussion players
\n<\/em>17\/8. Internationale Ferienkurse f\u00fcr Neue Musik, DARMSTADT<\/p>\n

Musik und Dekonstruktion.<\/strong> Lecture
\n<\/em>14\/8. Internationale Ferienkurse f\u00fcr Neue Musik, DARMSTADT<\/p>\n

Endphase 11. <\/strong>Performance
\n<\/em>30\/7. Faulerbad. Freiburg (GERMANY)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Live y electronic, sobre una dial\u00e9ctica de lo performativo y lo preformado. <\/strong>Lecture
\n<\/em>30\/6. LIEM, Museo Reina Sof\u00eda, MADRID<\/p>\n

Presentation of own pieces
\n<\/strong>15\/6. Elektronisches Studio. TU BERLIN<\/p>\n

Endphase 10. <\/strong>Performance
\n<\/em>15\/5. Mensabar, Freiburg (GERMANY)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Live electronic. <\/strong>Workshop
\n<\/em>28-30\/3. Conservatorio Superior de SALAMANCA<\/p>\n

Deconstrucci\u00f3n como principio discursivo. <\/strong>Lecture
\n<\/em>29-3. Conservatorio Superior de SALAMANCA<\/p>\n

Sotto. <\/strong>For 3 percussion players and big ensemble
\n<\/em>27-3. Conservatorio Superior de SALAMANCA
\nEnsemble Conservatorio Superior de SALAMANCA<\/p>\n

Graduation concert. With the pieces 3×3=10, sotto, on the deconstruction of a military roll, 27 scenes for 4 spectators and ezz.
\n<\/strong>8\/2. Musikhochschule Freiburg
\nEnsemble des Instituts f\u00fcr Neue Musik. Alistair Zaldua, dir.<\/p>\n

\n

2005<\/h3>\n

[premiere] on the deconstruction of a whole.<\/strong> For solo bassoon and solo auditor
\n<\/em>9-10\/12. Jazz- und Rockschule Freiburg (GERMANY)
\nEnsemble Chronophonie. \u00d3scar Garrido, bassoon<\/p>\n

Endphase 7. <\/strong>Performance
\n<\/em>28\/10. Festival Musicacoustica. PEKING
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Electronic Improvisation. <\/strong>Workshop
\n<\/em>25-26\/10. National Conservatory, PEKING
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Endphase 6. <\/strong>Performance
\n<\/em>20\/7. Mensabar, Freiburg (Germany)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

[premiere] ezz. <\/strong>For trombone, piano and tape
\n<\/em>5\/7. Musikhochschule Freiburg (Germany)
\nNicolas Naudot, Yi-Chun Cheng<\/p>\n

4 principles. <\/strong>For amplified accordion
\n<\/em>26\/5. Esslingen (Germany)<\/p>\n

Endphase 5. <\/strong>Performance
\n<\/em>25\/4. Kraageluiden, Overtoom 301 (AMSTERDAM)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

[premiere] \u00abMusik\u00bb. <\/strong>For mechanical PIANO
\n<\/em>21\/4. Portofino Ice. Freiburg (GERMANY)<\/p>\n

Endphase 4. <\/strong>Performance
\n<\/em>8\/2. Musikhochschule Freiburg
\nWith Johannes Kreidler and Joao Pais<\/p>\n

[premiere] Sotto. <\/strong>For 3 percussion players and big ensemble
\n<\/em>[premiere] 4 principles. <\/strong>For amplified accordion
\n<\/em>3\/2. Musikhochschule Freiburg (GERMANY)
\nEnsemble des Instituts f\u00fcr Neue Musik. Janina B\u00fcrg<\/p>\n

\n

2004<\/h3>\n

3×3=10. <\/strong>For ensemble
\n<\/em>23\/11. Museum f\u00fcr Neue Kunst. Freiburg (GERMANY)
\nEnsemble Chronophonie. Manuel Nawri, dir.<\/p>\n

[premiere] The space of possibility. <\/strong>For actor\/actress, e-guitar, clarinet and percussion
\n<\/em>11\/10. Ultima Festival (OSLO)
\nEnsemble Asamisimasa<\/p>\n

About the piece \u00abThe space of possibility\u00bb. <\/strong>Lecture
\n<\/em>9\/10. Congress center Lysebu (OSLO)<\/p>\n

Endphase 3. <\/strong>Performance
\n<\/em>18\/8. Kunsthalle DARMSTADT
\nWith Johannes Kreidler and Joao Pais<\/p>\n

Endphase 2. <\/strong>Performance
\n<\/em>20\/7. Bartok Festival, Szombathely (HUNGARY)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

‘s (after Samuel Beckett). <\/strong>Scenic piece for recorder
\n<\/em>20\/7. Bartok Festival, Szombathely (HUNGARY)
\nJoao Pais, recorder<\/p>\n

Endphase 1. <\/strong>Performance
\n<\/em>17\/7. Musikhochschule Freiburg (GERMANY)
\nWith Johannes Kreidler and Joao Pais<\/p>\n

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