{"id":713,"date":"2015-08-18T21:56:53","date_gmt":"2015-08-18T21:56:53","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?page_id=713"},"modified":"2016-04-05T19:25:05","modified_gmt":"2016-04-05T19:25:05","slug":"impossible-translations","status":"publish","type":"page","link":"https:\/\/albertobernal.net\/es\/works\/series\/impossible-translations","title":{"rendered":"impossible translations"},"content":{"rendered":"<p><\/p>\n<p style=\"padding-left: 30px; text-align: justify;\">Impossible translations<em> es una serie de obras para instrumentos ac\u00fasticos y v\u00eddeo, en la que se trata de establecer una relaci\u00f3n entre la m\u00fasica y el mundo exterior mediante una traducci\u00f3n arbitraria de una fuente no musical (habitualmente v\u00eddeos o im\u00e1genes est\u00e1ticas) en una partitura instrumental interpretable. El material de la partitura es generado mediante varios tipos de an\u00e1lisis del v\u00eddeo: seguimiento de movimientos, colores y formas y su asignaci\u00f3n arbitraria y cambiante a algunos par\u00e1metros de la m\u00fasica: alturas, articulaciones, distribuci\u00f3n de octavas, din\u00e1micas\u2026 <\/em><em>No estamos ante obras que traten de explorar en modo alguno la sinestesia, sino m\u00e1s bien de forzar una relaci\u00f3n determinada con el fin de poner en el mismo plano dos \u00e1mbitos a priori incompatibles, de la paradoja de una m\u00fasica imposible hecha posible gracias a la materializaci\u00f3n de una traducci\u00f3n imposible.<\/em><\/p>\n<p style=\"padding-left: 30px; text-align: right;\">Texto relacionado: <strong><a href=\"http:\/\/docs.albertobernal.net\/bernal_la-musica-y-su-otro.pdf\" target=\"_blank\">La m\u00fasica y su otro. Cinco posibilidades de una deliberada relaci\u00f3n<\/a><\/strong> (Funci\u00f3n Lenguaje #3. 2013)<\/p>\n<hr \/>\n<p><div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys pt-cv-left\" id=\"pt-cv-view-75ce0e7437\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"4\"><div class=\"col-md-3 col-sm-3 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-1\" class=\"_blank pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_blank\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/ip1-300x225.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"\" srcset=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/ip1-300x225.jpg 300w, https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/ip1.jpg 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-1\" class=\"_blank\" target=\"_blank\" >impossible translations #1<\/a><\/h4>\n<div class=\"pt-cv-content\">bass cl.\/saxo, perc. + video (2010)<\/div><\/div><\/div>\n<div class=\"col-md-3 col-sm-3 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-2\" class=\"_blank pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_blank\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/it2-300x225.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"\" srcset=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/it2-300x225.jpg 300w, https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/it2.jpg 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-2\" class=\"_blank\" target=\"_blank\" >impossible translations #2<\/a><\/h4>\n<div class=\"pt-cv-content\">violin, violoncello, piano + v\u00eddeo (2011)<\/div><\/div><\/div>\n<div class=\"col-md-3 col-sm-3 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-3b\" class=\"_blank pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_blank\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/it3-300x225.gif\" class=\"pt-cv-thumbnail img-none\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-3b\" class=\"_blank\" target=\"_blank\" >impossible translations #3b<\/a><\/h4>\n<div class=\"pt-cv-content\">percusi\u00f3n + v\u00eddeo (2011)<\/div><\/div><\/div>\n<div class=\"col-md-3 col-sm-3 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-4\" class=\"_blank pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_blank\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/it4-300x225.gif\" class=\"pt-cv-thumbnail img-none\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-4\" class=\"_blank\" target=\"_blank\" >impossible translations #4 \u00absuite\u00bb<\/a><\/h4>\n<div class=\"pt-cv-content\">piano + v\u00eddeo (2013)<\/div><\/div><\/div>\n<div class=\"col-md-3 col-sm-3 col-xs-12 pt-cv-content-item pt-cv-1-col\" ><div class='pt-cv-ifield'><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-5\" class=\"_blank pt-cv-href-thumbnail pt-cv-thumb-default\" target=\"_blank\" ><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2021\/07\/it5-300x169.gif\" class=\"pt-cv-thumbnail img-none\" alt=\"\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/albertobernal.net\/es\/impossible-translations-5\" class=\"_blank\" target=\"_blank\" >impossible translations #5<\/a><\/h4>\n<div class=\"pt-cv-content\">flauta + v\u00eddeo (2021)<\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t<style type=\"text\/css\" id=\"pt-cv-inline-style-180cbbd0e1\">#pt-cv-view-75ce0e7437 .pt-cv-title a, #pt-cv-view-75ce0e7437  .panel-title { font-family: 'Noto Sans', Arial, serif !important; font-size: 14px !important; }\n#pt-cv-view-75ce0e7437 .pt-cv-content , #pt-cv-view-75ce0e7437  .carousel-caption { font-family: 'Noto Sans', Arial, serif !important; font-size: 12px !important; }\n#pt-cv-view-75ce0e7437 { text-align: left !important; }<\/style>\r\n\t\t\t<\/p>","protected":false},"excerpt":{"rendered":"<p>instrumentos ac\u00fasticos + v\u00eddeo (2010-)<\/p>\n","protected":false},"author":1,"featured_media":2441,"parent":795,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"footnotes":""},"class_list":["post-713","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=713"}],"version-history":[{"count":25,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/713\/revisions"}],"predecessor-version":[{"id":2411,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/713\/revisions\/2411"}],"up":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/795"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/2441"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}