{"id":822,"date":"2015-08-19T07:54:53","date_gmt":"2015-08-19T07:54:53","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?page_id=822"},"modified":"2025-10-07T11:26:11","modified_gmt":"2025-10-07T11:26:11","slug":"year","status":"publish","type":"page","link":"https:\/\/albertobernal.net\/es\/works\/year","title":{"rendered":"cat\u00e1logo cronol\u00f3gico de obras"},"content":{"rendered":"<p><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/albertobernal.net\/works\/featured\">proyectos destacados<\/a> | <a href=\"https:\/\/albertobernal.net\/works\/series\">series<\/a> | <a href=\"https:\/\/albertobernal.net\/works\/format\">por plantilla o formato<\/a> | <span style=\"text-decoration: underline;\"><span style=\"color: #998374; text-decoration: underline;\">cat\u00e1logo cronol\u00f3gico<br \/>\n<\/span><\/span><\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<hr \/>\n<h3>2025<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/erlkonig-archive\">Erlk\u00f6nig-Archive<\/a> <\/strong><em>\u00f3pera de c\u00e1mara (35&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/caminar\">caminar (in memoriam Peter Ablinger)<\/a> <\/strong><em>50 performers caminantes (35&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2024<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/passage\">passage<\/a> <\/strong><em>cuarteto de percusi\u00f3n + 30 m\u00fasicos m\u00f3viles (45 minutos)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/loop\">play-pause-stop-LOOP<\/a> <\/strong><em>trio + video (17&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/islave\">iSlave<\/a> <\/strong><em>\u00d3pera de c\u00e1mara (1 hora)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2023<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/neoliberal-systems-5-affirmation\">(neo)liberal systems #5 \u00abaffirmation\u00bb<\/a> <\/strong><em>2-6 ejecutantes + proyecci\u00f3n audiovisual (9&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/decollage\">d\u00e9-coll\/age<\/a> <\/strong><em>60 m\u00fasicos de banda en movimiento (50&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/si-ambulem\">si ambulem&#8230;<\/a> <\/strong><em> 30 voces caminantes, ruinas del monasterio de San Pedro de Eslonza (Le\u00f3n) (55&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/critique-of-pure-recording\">Cr\u00edtica de la grabaci\u00f3n pura<\/a>\u00a0 <\/strong><em>pieza gr\u00e1fica<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/play-pause-stop-loop\">play-PAUSE-stop-loop<\/a> <\/strong><em> 2 saxos tenores, materiales audiovisuales y videoproyecci\u00f3n (33&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/voids\"> [voids] C. Monteverdi \u2013 Se dolce \u00e8\u2019l tormento<\/a><\/strong> <em>soprano, flauta y violonchelo (6&#8242;)<br \/>\n<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2022<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/inventario-de-sonidos-ausentes\">inventario de sonidos ausentes<\/a> <\/strong><em>flauta, saxo alto, percusi\u00f3n + tape (16&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/play\">PLAY-pause-stop-loop<\/a><\/strong> <em>peque\u00f1o ensemble + v\u00eddeo<\/em><\/li>\n<li><strong>[voids] J. S. Bach \u00abA musical offering\u00bb<\/strong> <em>ensemble barroco<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/mobile\" target=\"_blank\" rel=\"noopener noreferrer\">mobile #4<\/a> <\/strong><em>Obra para jard\u00edn, performer caminante y 4 percusionistas (50&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2021<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/neoliberal-systems-4-entertainment\">(neo)liberal systems #4 \u00abentertainment\u00bb<\/a><\/strong><em>\u00a0 dispositivo t\u00e1ctil + proyecci\u00f3n audiovisual (8&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/impossible-translations-5\">impossible translations #5<\/a><\/strong>\u00a0 <em>flauta + v\u00eddeo (6&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/made-in-china-epitaph\">made in china \/ epitaph<\/a><\/strong><em> voz, flauta, chelo + v\u00eddeo (16&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/occupyyourself\">#OccupyYourself<\/a><\/strong><em> performance instalativa para 4 percusionistas aislados en el espacio p\u00fablico durante 12 horas<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2020<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/fade\">fade<\/a><\/strong> <em>v\u00eddeo (19&#8243;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/works\/series\/impossible-translations\">impossible translations #3c<\/a><\/strong> <em>saxo tenor + v\u00eddeo (11&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/voids\">voids<\/a><\/strong> <em>varios formatos \/ obras gr\u00e1ficas (duraci\u00f3n variable)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/mobile\" target=\"_blank\" rel=\"noopener noreferrer\">mobile #2<\/a> <\/strong><em>Obra para jard\u00edn, performer caminante y 4 percusionistas (50&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/mobile\" target=\"_blank\" rel=\"noopener noreferrer\">mobile #3<\/a> <\/strong><em>Obra para jard\u00edn, performer caminante y 4 percusionistas (50&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2019<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/numbers-3\">numbers #3 \u00abmigrants\u00bb<\/a><\/strong><em> tape (16ch) (9&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/others\">others<\/a><\/strong> <em>instalaci\u00f3n (96cc audio, 48 auriculares, agua)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/neoliberal-systems-2-crescendo\">(neo)liberal systems #2 \u00abcrescendo\u00bb<\/a><\/strong><em> instrumentaci\u00f3n variable + live electronics (10&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2018<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/neoliberal-systems-1-accelerando\">(neo)liberal systems #1 \u00abaccelerando\u00bb<\/a><\/strong><em> 2-6 instrumentos (10&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/relectures-4-air\">relectures #4 \u00abair\u00bb<\/a><\/strong><em> clave + tape (12&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/a-tempo\">A Tempo<\/a><\/strong><em> 4 saxos tenores + v\u00eddeo (15&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/numbers-2\">numbers #2 \u00abvariations on a theme by Brahms\u00bb<\/a><\/strong><em> viol\u00edn, piano + proyecci\u00f3n audiovisual (14&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/georg-philipp-telemann\">Retratos \/ Georg Philipp Telemann<\/a> <\/strong><em>ensemble barroco + v\u00eddeo (6&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2017<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/inaudible-city\"><em><del>in<\/del><\/em>audible city<\/a> <\/strong><em> 4 instrumentos + tape y luz (11&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/albertobernal.net\/post-truth\">numbers #1 \u00abpost-truth\u00bb<\/a><\/strong><em> Saxo tenor + proyecci\u00f3n audiovisual (12&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2016<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/albertobernal.net\/ritratto-senza-voce\">ritratto senza voce (Billie Holiday)<\/a><\/strong> Percusi\u00f3n<em> + v\u00eddeo (7&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/trill3-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un trino III.<\/a> <\/strong><em>Versi\u00f3n\u00a0 para clarinete bajo + tape<\/em><em> (12&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/claude-debussy\" target=\"_blank\" rel=\"noopener noreferrer\">retratos &#8211; Claude Debussy<\/a> <\/strong><em>Piano + v\u00eddeo<\/em><em> (5-10&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/300kg-of-music\" target=\"_blank\" rel=\"noopener noreferrer\">300kg de m\u00fasica<\/a> <\/strong><em>Performer, 2 percusionistas, coche<\/em><em> (25&#8242;)<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/dispersion-concentracion\">dispersi\u00f3n \/ concentraci\u00f3n<\/a><\/strong><em> 30 m\u00fasicos caminantes (45&#8242;)<br \/>\n<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2015<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/the-spectacle-is-capital\" target=\"_blank\" rel=\"noopener noreferrer\">el espect\u00e1culo es el capital en un grado tal de acumulaci\u00f3n que se ha convertido en imagen<\/a> <\/strong><em>Performer + v\u00eddeo y electr\u00f3nica en tiempo real (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/mobile\" target=\"_blank\" rel=\"noopener noreferrer\">mobile<\/a> <\/strong><em>Obra para jard\u00edn, performer caminante y 4 percusionistas (50&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/0-997\" target=\"_blank\" rel=\"noopener noreferrer\">0.997<\/a><\/strong> <em>Acci\u00f3n sonora para corredor de larga distancia, ensemble de saxofones y v\u00eddeo en tiempo real (en colaboraci\u00f3n con \u00c0lex Serrano) (50&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/no-studies-1b\" target=\"_blank\" rel=\"noopener noreferrer\">NO studies #1b<\/a> <\/strong><em>Versi\u00f3n para flauta, saxo tenor, marimba,\u00a0 guitarra el\u00e9ctrica y piano + video (6&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/no-studies-4\">NO studies #4. \u00abalphabetically ordered NO written in the 100 most spoken languages\u00bb<\/a><\/strong><em>\u00a0 Objeto audiovisual (tinta sobre papel y audio digital<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/relectures-3\" target=\"_blank\" rel=\"noopener noreferrer\">relectures #3 \u2013 R. Schumann, 3 Fantasiest\u00fccke op. 73<\/a><\/strong><em> Viol\u00edn (o chelo o clarinete o viola), piano y altavoz de superficie (9&#8242;)<br \/>\n<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2014<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/how-to-unbalance-the-pressures-2\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bfC\u00f3mo desequilibrar las presiones que se corresponden a uno y otro lado de la membrana?<\/a> <\/strong><em>Versi\u00f3n para voz hablada, objetos y electr\u00f3nica en vivo (18&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/sound-statements\" target=\"_blank\" rel=\"noopener noreferrer\">sound statements<\/a> <\/strong><em>Blog<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/ricercare\" target=\"_blank\" rel=\"noopener noreferrer\">deconstruction &#8211; J. S. Bach, Ricercare a 6<\/a> <\/strong><em>M\u00fasica para el documental \u00abNo te mueras sin ir a Ronchamp\u00bb (Yolanda Villaluenga)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/no_studies-3\" target=\"_blank\" rel=\"noopener noreferrer\">NO studies #3; 73 attemps to play NO. Its resonance. Its NO. A glass<\/a><\/strong><em> Piano + v\u00eddeo (11&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/no-studies-2\" target=\"_blank\" rel=\"noopener noreferrer\">NO studies #2; Madrid, 2011\/5\/20 23h44m43s<\/a> <\/strong><em>Tape (4&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/relectures-1\" target=\"_blank\" rel=\"noopener noreferrer\">relectures #1 &#8211; F. Schubert, Phantasie in F moll<\/a><\/strong><em> Instalaci\u00f3n audiovisual interactiva<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/mixtures-1\" target=\"_blank\" rel=\"noopener noreferrer\">mixtures #1. J. S. Bach, Passacaglia BWV582 &amp; 2012-7-11, Marcha negra (Madrid)<\/a><\/strong> \u00d3rgano y electr\u00f3nica en vivo<em> (10&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2013<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/elogio-de-lo-ausente\" target=\"_blank\" rel=\"noopener noreferrer\">elogio de lo ausente (sobre un tema de Schumann)<\/a> <\/strong><em>Toy piano, piano grabado y altavoz de superficie (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/ritratto-con-voce\" target=\"_blank\" rel=\"noopener noreferrer\">Camar\u00f3n de la isla (ritratto con voce)<\/a> <\/strong><em>Saxo tenor, piano y v\u00eddeo (7&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/no_studies-1\" target=\"_blank\" rel=\"noopener noreferrer\">NO studies #1<\/a><\/strong>\u00a0<em> Ensemble de saxofones + v\u00eddeo (6&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/how-to-unbalance-the-pressures\" target=\"_blank\" rel=\"noopener noreferrer\">\u00bfC\u00f3mo desequilibrar las presiones que se corresponden por uno y otro lado de la membrana?<\/a><\/strong><em> Peque\u00f1o ensemble (fl, cl, gt, vl, vclo) y objetos (18&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/passive-resistance\" target=\"_blank\" rel=\"noopener noreferrer\">Resistencia pasiva<\/a>\u00a0<\/strong><em> Instalaci\u00f3n audiovisual interactiva<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-translations-4\" target=\"_blank\" rel=\"noopener noreferrer\">impossible translations #4<\/a> <\/strong><em>Piano + v\u00eddeo (17&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/g8\" target=\"_blank\" rel=\"noopener noreferrer\">G8 \/ lied der deutschen<\/a> <\/strong><em>Tape (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/portraits\">retratos<\/a> <\/strong><em>Piano + v\u00eddeo (dif. duraciones)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2012<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-translations-3b\" target=\"_blank\" rel=\"noopener noreferrer\">impossible translations#3b<\/a> <\/strong><em>Percusi\u00f3n + v\u00eddeo (8&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/grimm\" target=\"_blank\" rel=\"noopener noreferrer\">grim[m]<\/a> <\/strong><em>Colaboraci\u00f3n esc\u00e9nica con Christian Weiss yu Luise Kr\u00fcger (90 min.)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/absent-made-present\" target=\"_blank\" rel=\"noopener noreferrer\">absent made present<\/a> <\/strong><em>Colaboraci\u00f3n esc\u00e9nica con Freddie Opoku-addaie<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2011<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong>impossible translations #3a\u00a0<\/strong><em> Instalaci\u00f3n audiovisual interactiva<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-translations-2\" target=\"_blank\" rel=\"noopener noreferrer\">impossible translations #2<\/a> <\/strong><em>Violin, chelo y piano + video (15&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-music-33\" target=\"_blank\" rel=\"noopener noreferrer\">impossible music #33 \u00abdumb scream\u00bb<\/a>\u00a0<\/strong><em> Instalaci\u00f3n visual interactiva<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/oath\" target=\"_blank\" rel=\"noopener noreferrer\">politicking Oath<\/a> <\/strong>Colaboraci\u00f3n con Freddie Opoku-addaie<\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/diptych\" target=\"_blank\" rel=\"noopener noreferrer\">d\u00edptico<\/a>\u00a0<\/strong><em> Instalaci\u00f3n sonora<br \/>\n<\/em><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/diptych\" target=\"_blank\" rel=\"noopener noreferrer\">a) 193 himnos nacionales ocupando un espacio<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/diptych\" target=\"_blank\" rel=\"noopener noreferrer\">b) 193 himnos nacionales ordenados por criterios transnacionales<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/crowds-and-power\" target=\"_blank\" rel=\"noopener noreferrer\">masa y poder<\/a> <\/strong><em>Colaboraci\u00f3n esc\u00e9nica con Christian Weiss<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/g8\" target=\"_blank\" rel=\"noopener noreferrer\">G8 \/ la marseillaise <\/a><\/strong><em>Tape (16&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2010<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-translations-1\" target=\"_blank\" rel=\"noopener noreferrer\">impossible translations #1<\/a><\/strong><em> Clarinete bajo (o saxo o flauta) y percussion + v\u00eddeo (14&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/g8\" target=\"_blank\" rel=\"noopener noreferrer\">G8 \/ god save the queen <\/a><\/strong><em>Tape (13&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/g8\" target=\"_blank\" rel=\"noopener noreferrer\">G8 \/ il canto degli italiani<\/a> <\/strong><em>Tape (11&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/impossible-music\" target=\"_blank\" rel=\"noopener noreferrer\">impossible music<\/a><\/strong><em>Diferentes formatos no sonoros \/ obra gr\u00e1fica<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/crowds-and-power-lecture\" target=\"_blank\" rel=\"noopener noreferrer\">masa y poder<\/a>\u00a0<\/strong><em> Voz hablada y electr\u00f3nica en vivo (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/sound-is-what-remains\" target=\"_blank\" rel=\"noopener noreferrer\">sound is what remains<\/a> <\/strong><em>6 bailarines, sensor de movimiento y electr\u00f3nica en vivo (15&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/paseador\" target=\"_blank\" rel=\"noopener noreferrer\">paseador de perros<\/a><\/strong><em> Instalaci\u00f3n sonora<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/found-sounds\" target=\"_blank\" rel=\"noopener noreferrer\">found sounds<\/a>\u00a0<\/strong><em> Sonidos grabados<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/found-musics\" target=\"_blank\" rel=\"noopener noreferrer\">found musics<\/a>\u00a0<\/strong><em> Sonidos grabados<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/passion\" target=\"_blank\" rel=\"noopener noreferrer\">passion<\/a>\u00a0<\/strong><em> M\u00fasica esc\u00e9nica para ensemble, contratenor y sonidos grabados (90&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2009<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/outer-world\" target=\"_blank\" rel=\"noopener noreferrer\">el mundo exterior del mundo interior del mundo exterior<\/a><\/strong> <em>Orquesta de cuerda (10&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/anatomy\" target=\"_blank\" rel=\"noopener noreferrer\">anatom\u00eda de una marcha militar<\/a><\/strong><em> 3 percusionistas (19&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/4-actions\" target=\"_blank\" rel=\"noopener noreferrer\">4 acciones<\/a><\/strong> <em>Accciones para 1 performer (dur. variable)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2008<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/schaeffer\" target=\"_blank\" rel=\"noopener noreferrer\">la r\u00e9alit\u00e9, Schaeffer, sa trace et la musique<\/a><\/strong><em> Tape (dur. variable)<br \/>\n<\/em><\/p>\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/schaeffer\" target=\"_blank\" rel=\"noopener noreferrer\">cinq \u00e9tudes l\u00e8g\u00e9res<\/a><\/strong><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/schaeffer\" target=\"_blank\" rel=\"noopener noreferrer\">cinq \u00e9tudes profondes<\/a><\/strong><\/li>\n<\/ul>\n<\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/ferraz\" target=\"_blank\" rel=\"noopener noreferrer\">C\/ Ferraz, 62 (Madrid) 1993-97; reminiscences<\/a><\/strong><em> Piano + tape (11&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/end-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un final<\/a><\/strong><em> Violin, chelo y piano (13&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2007<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/trill2-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un trino II<\/a><\/strong><em>\u00a0 Saxo tenor en vivo y saxo tenor grabado (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/woarlllds\" target=\"_blank\" rel=\"noopener noreferrer\">woArLlLds<\/a><\/strong><em>\u00a0 Instalaci\u00f3n audiovisual (colaboraci\u00f3n con Fernando Garc\u00eda)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/g8\" target=\"_blank\" rel=\"noopener noreferrer\">G8 \/ stars and stripes<\/a><\/strong> <em>Tape (11&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/open-cloisters\" target=\"_blank\" rel=\"noopener noreferrer\">open cloisters<\/a><\/strong><em> Flauta baja y electr\u00f3nica en vivo (14&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/zwischen\" target=\"_blank\" rel=\"noopener noreferrer\">transiciones (breves estudios para ni\u00f1os\/as)<\/a><\/strong><em> Instrumento mel\u00f3dico (dur. variables)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/through-the-wall\" target=\"_blank\" rel=\"noopener noreferrer\">through the wall<\/a><\/strong><em><em><em> 3 percusionistas, viol\u00edn, chelo, piano + electr\u00f3nica en vivo (17&#8242;)<\/em><\/em><\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2006<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/madrid\" target=\"_blank\" rel=\"noopener noreferrer\">alltagset\u00fcden &#8211; #1 (Madrid).<\/a><\/strong><em> Tape (10&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/trill-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un trino<\/a><\/strong><em> Flauta en vivo y flauta grabada (11&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/cycle-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un ciclo<\/a><\/strong><em> 2 pianistas y 2 percusionistas (17&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2005<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/whole-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un todo<\/a><\/strong><em> Instalaci\u00f3n para fagot solo y oyente solo<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/roll-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un redoble<\/a><\/strong><em> 2 percusionistas (8&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/cluster-deconstruction\" target=\"_blank\" rel=\"noopener noreferrer\">de la deconstrucci\u00f3n de un cluster<\/a><\/strong><em> Solo piano (8&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/musik\" target=\"_blank\" rel=\"noopener noreferrer\">\u00abMusik\u00bb<\/a><\/strong><em> Piano mec\u00e1nico o MIDI + tape (dif. duraciones)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/instrumentation\" target=\"_blank\" rel=\"noopener noreferrer\">instrumentation of a discourse <\/a><\/strong><em>Piano mec\u00e1nico o MIDI\u00a0 + tape (5&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/wi-e-der\" target=\"_blank\" rel=\"noopener noreferrer\">wi(e)der<\/a><\/strong><em> Orquesta (+ tape) (15&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/var\" target=\"_blank\" rel=\"noopener noreferrer\">var<\/a><\/strong><em> Tape (5&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2004<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/sotto\">sotto<\/a> <\/strong><em> 3 percusionistas y ensemble (3&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/the-space-of-possibility\" target=\"_blank\" rel=\"noopener noreferrer\">the space of possibility <\/a><\/strong><em>Pieza semiesc\u00e9nica para 1 actor\/actriz, clarinete bajo, guitarra el\u00e9ctrica, percusi\u00f3n y proyecci\u00f3n audiovisual (15&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2003<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/ezz\" target=\"_blank\" rel=\"noopener noreferrer\">ezz<\/a><\/strong><em> Tromb\u00f3n y piano +\u00a0 tape (9&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/jetzt\" target=\"_blank\" rel=\"noopener noreferrer\">jetzt<\/a> <\/strong><em>Orquesta (3&#8243;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/neg-neg\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ac(\u00ac)<\/a><\/strong><em> 7 instrumentos y 7 altavoces (12&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/s-beckett\" target=\"_blank\" rel=\"noopener noreferrer\">\u2019s (after Samuel Beckett)<\/a> <\/strong><em>obra semiesc\u00e9nica para instrumento de viento y electr\u00f3nica en vivo (15&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2002<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/27-scenes\" target=\"_blank\" rel=\"noopener noreferrer\">27 escenas para 4 espectadores<\/a><\/strong><em> Flauta de pico, saxo, guitarra, acorde\u00f3n y electr\u00f3nica en vivo (15&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/4-principles\" target=\"_blank\" rel=\"noopener noreferrer\">4 principios<\/a><\/strong><em>\u00a0 Acorde\u00f3n amplificado 15&#8242;)<br \/>\n<\/em><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/3x3\" target=\"_blank\" rel=\"noopener noreferrer\">3&#215;3=10<\/a><\/strong><em> Ensemble (9&#8242;)<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<hr \/>\n<h3>2001<\/h3>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/cromlech\" target=\"_blank\" rel=\"noopener noreferrer\">cromlech<\/a><\/strong><em> Flauta, violonchelo, piano y electr\u00f3nica en vivo (12&#8242;)<br \/>\n<\/em><\/li>\n<li><\/li>\n<li><strong><a href=\"https:\/\/www.albertobernal.net\/etude\" target=\"_blank\" rel=\"noopener noreferrer\">etude (on the prelude of the first Bach suite)<\/a><\/strong><em>\u00a0 violonchelo (4&#8242;)<br \/>\n<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>cat\u00e1logo cronol\u00f3gico de obras<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":41,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"footnotes":""},"class_list":["post-822","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=822"}],"version-history":[{"count":110,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/822\/revisions"}],"predecessor-version":[{"id":2904,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/822\/revisions\/2904"}],"up":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/pages\/41"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}