{"id":1194,"date":"2015-08-11T23:46:01","date_gmt":"2015-08-11T23:46:01","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?p=1194"},"modified":"2015-09-03T16:55:04","modified_gmt":"2015-09-03T16:55:04","slug":"oath","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/oath","title":{"rendered":"politicking oath"},"content":{"rendered":"<p><\/p>\n<h4>(colaboraci\u00f3n esc\u00e9nica con Freddie Opoku-addaie y 2faced Dance Company)<\/h4>\n<p><strong>Formato:<\/strong> <span lang=\"DE\">3 bailarines y tape<\/span><br \/>\n<strong>Creaci\u00f3n:<\/strong> junio 2011<br \/>\n<strong>Estreno:<\/strong> <span lang=\"DE\">agosto 2011. Festival Internacional de Edimburgo<\/span><br \/>\n<strong>Duraci\u00f3n: <\/strong>15 min.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">Politicking Oath<em> takes as it\u2019s starting point the emotion and spirit expressed by the Olympic Oath, Olympic Anthem and National Anthems.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>The work seeks to open up and deconstruct their surfaces, inviting associated realms and allowing their sound and physical psyche to emerge to the foreground.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>In a close relationship, choreographer and composer explore parallel ways of materializing these departure points in both dance and music. In movement, random Olympic events create a template for physical language, utilizing principle rules and intent that gives an insight into the prowess and complex beings we are. The musical\/sound realm deepens into the energy contained in the oath, anthems and sport sounds by means of freezing, fragmenting or layering, and breaking the border between them and the real world.<\/em><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>3 bailarines y tape (2011)<\/p>\n","protected":false},"author":1,"featured_media":764,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-1194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stage"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/1194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=1194"}],"version-history":[{"count":6,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/1194\/revisions"}],"predecessor-version":[{"id":1984,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/1194\/revisions\/1984"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/764"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=1194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=1194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=1194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}