{"id":2764,"date":"2018-05-06T08:21:20","date_gmt":"2018-05-06T08:21:20","guid":{"rendered":"http:\/\/albertobernal.net\/?p=2764"},"modified":"2020-02-07T11:46:57","modified_gmt":"2020-02-07T11:46:57","slug":"numbers-2","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/numbers-2","title":{"rendered":"numbers #2 \u00abvariaciones sobre un tema de Brahms\u00bb"},"content":{"rendered":"<p><\/p>\n<h3 style=\"padding-left: 30px;\">\u00a0para viol\u00edn, piano y material de youTube<\/h3>\n<p><strong>Plantilla:<\/strong>\u00a0viol\u00edn, piano + tape y v\u00eddeo<br \/>\n<strong>Creaci\u00f3n:<\/strong>\u00a0enero-abril 2018<br \/>\n<strong>Estreno:<\/strong>\u00a020 de abril de 2018. Festival Mixtur (Barcelona). DUO HELLQVIST\/AMARAL<br \/>\n<strong>Duraci\u00f3n: <\/strong>14 minutos<\/p>\n<p><strong><span style=\"color: #998374;\"><em><a style=\"color: #998374;\" href=\"http:\/\/scores.albertobernal.net\/bernal_numbers-2.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u2192 Partitura completa<\/a><\/em><\/span><\/strong><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/274431043?color=998374&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">&amp;lt;span data-mce-type=\u00bbbookmark\u00bb style=\u00bbdisplay: inline-block; width: 0px; overflow: hidden; line-height: 0;\u00bb class=\u00bbmce_SELRES_start\u00bb&amp;gt;\ufeff&amp;lt;\/span&amp;gt;&amp;lt;span data-mce-type=\u00bbbookmark\u00bb style=\u00bbdisplay: inline-block; width: 0px; overflow: hidden; line-height: 0;\u00bb class=\u00bbmce_SELRES_start\u00bb&amp;gt;\ufeff&amp;lt;\/span&amp;gt;<\/iframe><\/p>\n<hr \/>\n<p>Numbers<em> es una serie de obras en la que trato de explorar c\u00f3mo cambia la informaci\u00f3n y la percepci\u00f3n a trav\u00e9s de repeticiones y replicaciones masivas de lo aparentemente id\u00e9ntico, deconstruyendo la supuesta abstracci\u00f3n y neutralidad de los n\u00fameros e intentando crear una experiencia est\u00e9tica a trav\u00e9s de su concreci\u00f3n como realidades sonoras.<br \/>\n<\/em><em>\u00a0 En esta segunda obra, la referencia y material es el tema de la tercera sonata para viol\u00edn de Brahms. La obra genera una confrontaci\u00f3n entre los fragmentos del tema ejecutados en directo (reales) y una creciente masa de 117 grabaciones de diferentes int\u00e9rpretes (variaciones): versiones hist\u00f3ricas, amateur, en alta y baja calidad, neutrales, sobreexpresivas&#8230; Junto a este material, la obra establece tambi\u00e9n una dramaturgia mediante la sustituci\u00f3n de las grabaciones por voces de 117 personas diferentes.<\/em><\/p>\n<p style=\"text-align: right;\"><strong><em><a style=\"color: #998374;\" href=\"https:\/\/albertobernal.net\/series\/numbers\">\u2192 serie \u00abnumbers\u00bb<\/a><\/em><\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>vl, pno + tape\/video (2018)<\/p>\n","protected":false},"author":1,"featured_media":2766,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,84,43,93,47,69,89],"tags":[],"class_list":["post-2764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-6-instruments","category-featured","category-format","category-numbers","category-electronica","category-video","category-works"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/2764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=2764"}],"version-history":[{"count":14,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/2764\/revisions"}],"predecessor-version":[{"id":3081,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/2764\/revisions\/3081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/2766"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=2764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=2764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=2764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}