{"id":3719,"date":"2024-11-10T15:27:23","date_gmt":"2024-11-10T15:27:23","guid":{"rendered":"https:\/\/albertobernal.net\/?p=3719"},"modified":"2024-11-10T15:40:58","modified_gmt":"2024-11-10T15:40:58","slug":"loop","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/loop","title":{"rendered":"play-pause-stop-LOOP"},"content":{"rendered":"<p><strong>Plantilla:<\/strong> txistu, acorde\u00f3n y percusi\u00f3n + video<br \/>\n<strong>Creaci\u00f3n:<\/strong> marzo-junio 2024<br \/>\n<strong>Duraci\u00f3n:\u00a0<\/strong> 17 min.<br \/>\n<strong>Estreno: <\/strong>13-6-2024. Festival Internacional de M\u00fasica de Canarias\/ Auditorio de Tenerife. TRIO ZUKAN.<\/p>\n<p><strong><em><a href=\"http:\/\/scores.albertobernal.net\/bernal_loop_score.pdf.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u2192 Partitura<\/a><\/em><\/strong><\/p>\n<hr \/>\n<p class=\"p1\">LOOP <em>pertenece a una serie de cuatro largas obras \u2014STOP, PLAY, PAUSE y LOOP\u2014. Com\u00fan a todas ellas es el cuestionamiento, desde la experiencia est\u00e9tica de lo sonoro, de nuestros actuales h\u00e1bitos de consumo, particularmente aquellos referidos a la manera en la que nos relacionamos con la cultura y el arte.<\/em><br \/>\nLOOP <em>materializa el consumo de lo igual disfrazado de diferencia. Haciendo una especie de arqueolog\u00eda del medio, toma como \u00fanico material visual los primeros segundos de la serie House of Cards (primera producci\u00f3n pensada para ser transmitida en streaming, en 2014) y los repite una y otra vez mientras los tres performers deambulan en c\u00edrculos suscribiendo con sonidos de manera crecientemente precisa la homogeneizante y anest\u00e9sica estructura visual.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3722 size-full\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2024\/11\/loop-1.jpg\" alt=\"\" width=\"1200\" height=\"598\" srcset=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2024\/11\/loop-1.jpg 1200w, https:\/\/albertobernal.net\/wp-content\/uploads\/2024\/11\/loop-1-300x150.jpg 300w, https:\/\/albertobernal.net\/wp-content\/uploads\/2024\/11\/loop-1-1024x510.jpg 1024w, https:\/\/albertobernal.net\/wp-content\/uploads\/2024\/11\/loop-1-768x383.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>trio + video (2023)<\/p>\n","protected":false},"author":1,"featured_media":3724,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,69],"tags":[],"class_list":["post-3719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-6-instruments","category-video"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/3719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=3719"}],"version-history":[{"count":4,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/3719\/revisions"}],"predecessor-version":[{"id":3726,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/3719\/revisions\/3726"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/3724"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=3719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=3719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=3719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}