{"id":517,"date":"2015-08-13T17:06:15","date_gmt":"2015-08-13T17:06:15","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?p=517"},"modified":"2019-05-16T08:39:47","modified_gmt":"2019-05-16T08:39:47","slug":"elogio-de-lo-ausente","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/elogio-de-lo-ausente","title":{"rendered":"Elogio de lo ausente (sobre un tema de Schumann) [relecturas #2]"},"content":{"rendered":"<p><strong>Plantilla:<\/strong> toy piano y piano grabado a trav\u00e9s de altavoz de superficie<br \/>\n<strong>Fecha de creaci\u00f3n:<\/strong> diciembre 2013<br \/>\n<strong>Estreno:<\/strong> 11 mayo 2014. Mostra Sonora de Sueca. V\u00cdCTOR TRESCOL\u00cd<br \/>\n<strong>Duraci\u00f3n: <\/strong>11 minutos<\/p>\n<p><strong><span style=\"color: #998374;\"><em><a style=\"color: #998374;\" href=\"http:\/\/scores.albertobernal.net\/bernal_elogio.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u2192 Partitura completa<\/a><\/em><\/span><\/strong><\/p>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/COdhqCR-muc?rel=0&amp;modestbranding=0&amp;autoplay=1\" width=\"640\" height=\"360\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><em>\u00a0 La obra consiste en 10 relecturas de un fragmento de Einsame Blumen (Robert Schumann, Escenas del bosque). La idea que cruza la obra es el di\u00e1logo con lo ausente e insonoro: el tema original de Schumann es evocado a trav\u00e9s de su compresi\u00f3n en una o unas pocas notas del reducido registro del piano de juguete, que poco a poco se va abriendo hacia el registro original, completado con una grabaci\u00f3n de piano convencional sonorizada dentro del piano de juguete mediante un peque\u00f1o altavoz de vibraci\u00f3n, para finalmente desaparecer tras permanecer un tiempo en el umbral de audici\u00f3n y volver a ser filtrada en el piano de juguete.<br \/>\n<\/em><em> El reducido volumen y la limitaci\u00f3n del registro de una \u00fanica octava del piano de juguete se erigen as\u00ed en virtud, en elogio de lo m\u00ednimo, de lo reducido, de lo peque\u00f1o, de lo menor, de la no-acumulaci\u00f3n, de la poquedad\u2026<\/em><\/p>\n<p style=\"text-align: right;\"><strong><em><a style=\"color: #998374;\" href=\"https:\/\/www.albertobernal.net\/works\/series\/relectures\">\u2192 serie \u00abrelecturas\u00bb<\/a><\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-523 size-large\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/elogio-foto-1024x529.png\" alt=\"elogio de lo ausente\" width=\"1024\" height=\"529\" srcset=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/elogio-foto-1024x529.png 1024w, https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/elogio-foto-300x155.png 300w, https:\/\/albertobernal.net\/wp-content\/uploads\/2015\/08\/elogio-foto.png 1158w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>toy piano + altavoz de superficie (2013)<\/p>\n","protected":false},"author":1,"featured_media":812,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,91,49,47],"tags":[],"class_list":["post-517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1-instrumento","category-relectures","category-piano","category-electronica"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=517"}],"version-history":[{"count":21,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/517\/revisions"}],"predecessor-version":[{"id":3015,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/517\/revisions\/3015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/812"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}