{"id":543,"date":"2015-08-10T17:53:23","date_gmt":"2015-08-10T17:53:23","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?p=543"},"modified":"2024-05-02T16:53:25","modified_gmt":"2024-05-02T16:53:25","slug":"impossible-translations-1","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/impossible-translations-1","title":{"rendered":"impossible translations #1"},"content":{"rendered":"<p><strong>Plantilla:<\/strong> clarinete bajo (versiones alternativas para flauta y saxo  bar\u00edtono, percusi\u00f3n y v\u00eddeo<br \/>\n<strong>Creaci\u00f3n:<\/strong> march-december 2010<br \/>\n<strong>Estreno:<\/strong> 25 de mayo de 2011. Mostra sonora de Sueca. DUOMETRIE (CARLOS G\u00c1LVEZ y ENRIC MONFORT)<br \/>\n<strong>Duraci\u00f3n: <\/strong> 15 min.<\/p>\n<p><strong><span style=\"color: #998374;\"><em><a style=\"color: #998374;\" href=\"http:\/\/scores.albertobernal.net\/bernal_it1-cl.pdf\" target=\"_blank\" rel=\"noopener\">\u2192 Partitura completa (cl-perc.)<\/a><\/em><\/span><\/strong> <strong><span style=\"color: #998374;\"><em><a style=\"color: #998374;\" href=\"http:\/\/scores.albertobernal.net\/bernal_it1b-barsax.pdf\" target=\"_blank\" rel=\"noopener\">\u2192 Partitura completa (sax-perc.)<\/a><\/em><\/span><\/strong><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><em>I (0:10) | II (2:26) | III (4:31) | IV (5:55) | V (6:55) | VI (8:51) | VII (11:16)<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/104604713?color=998374&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p style=\"text-align: justify;\">Impossible translations<em> es una serie de obras de reciente creaci\u00f3n en la que trato de establecer una relaci\u00f3n entre la m\u00fasica y el mundo exterior mediante una traducci\u00f3n arbitraria de una fuente no musical en una partitura instrumental interpretable. En esta primera obra, el punto de partida son fragmentos en v\u00eddeo de diversas realidades de Palestina. El material de la partitura ha sido generado completamente mediante varios tipos de an\u00e1lisis del v\u00eddeo: seguimiento de movimientos, colores y formas y su asignaci\u00f3n arbitraria y cambiante a algunos par\u00e1metros de la m\u00fasica: alturas, articulaciones, set-up de la percusi\u00f3n, din\u00e1micas&#8230; No es una obra que trate de explorar en modo alguno la sinestesia, sino m\u00e1s bien de forzar una relaci\u00f3n con el fin de poner en el mismo plano dos \u00e1mbitos a priori incompatibles, de la paradoja de una m\u00fasica imposible hecha posible gracias a la materializaci\u00f3n de una traducci\u00f3n imposible.<br \/>\n.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><strong><em><a style=\"color: #998374;\" href=\"https:\/\/albertobernal.net\/series\/impossible-translations\">\u2192 serie \u00abimpossible translations\u00bb<\/a><\/em><\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>bass cl.\/saxo, perc. + video (2010)<\/p>\n","protected":false},"author":1,"featured_media":2343,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,27,98,69],"tags":[],"class_list":["post-543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-6-instruments","category-impossible-translations","category-sax","category-video"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=543"}],"version-history":[{"count":15,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/543\/revisions"}],"predecessor-version":[{"id":3675,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/543\/revisions\/3675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/2343"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}