{"id":98,"date":"2015-08-15T14:06:20","date_gmt":"2015-08-15T14:06:20","guid":{"rendered":"http:\/\/albertobernalcomposer.apps-1and1.net\/?p=98"},"modified":"2018-11-27T22:51:10","modified_gmt":"2018-11-27T22:51:10","slug":"no-studies-4","status":"publish","type":"post","link":"https:\/\/albertobernal.net\/es\/no-studies-4","title":{"rendered":"NO studies #4 \u00abalphabetically ordered NO written in the 100 most spoken languages\u00bb"},"content":{"rendered":"<p><strong>Formato:<\/strong> objeto audiovisual. tinta sobre papel y audio digital<br \/>\n<strong>Creaci\u00f3n:<\/strong> abril 2015<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2742\" src=\"https:\/\/albertobernal.net\/wp-content\/uploads\/2018\/03\/NO-studies-img-e1523289166359.jpg\" alt=\"no studies #4\" width=\"300\" height=\"400\" \/><\/p>\n<p style=\"text-align: justify;\"><em>El ciclo<\/em> NO studies<em> se plantea como una serie de obras de diferentes formatos (obras instrumentales, electroac\u00fasticas, con o sin v\u00eddeo, instalaciones\u2026) cuyo punto de partida com\u00fan es el estudio de la palabra NO desde diferentes \u00e1ngulos: el sonido fon\u00e9tico, su sonido en la escritura, la sonificaci\u00f3n de su aspecto visual, su potenciaci\u00f3n en forma de protesta colectiva\u2026<\/em><br \/>\n<em> En esta cuarta obra de la serie se grab\u00f3 el trazo de la escritura de la palabra NO en los 100 idiomas m\u00e1s hablados, siguiendo el orden alfab\u00e9tico de la palabra. De esta forma, del puro concepto de la obra emerge tambi\u00e9n una cierta l\u00f3gica musical en la variaci\u00f3n progresiva del sonido que el orden alfab\u00e9tico genera por s\u00ed mismo.<\/em><\/p>\n<p align=\"right\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/126145087?color=998374&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"320\" height=\"180\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong><em><a style=\"color: #998374;\" href=\"https:\/\/albertobernal.net\/no-studies\">\u2192 serie \u00abNO studies\u00bb<\/a><\/em><\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>objeto audiovisual (2015)<\/p>\n","protected":false},"author":1,"featured_media":2736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,82,19],"tags":[],"class_list":["post-98","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installations","category-no-studies","category-graphic"],"_links":{"self":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":17,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/98\/revisions"}],"predecessor-version":[{"id":2894,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/posts\/98\/revisions\/2894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media\/2736"}],"wp:attachment":[{"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/media?parent=98"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/categories?post=98"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/albertobernal.net\/es\/wp-json\/wp\/v2\/tags?post=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}