Initiated during the COVID-19 lockdown, voids comes out of a personal need of creating empty spaces within the incessant stream of activities and the paradigm of “keep doing things without interruption”, that even a situation like this didn’t realise neither to stop nor to question. voids is conceived as a series of “anti-compositions” created from the process of emptying and piercing other existing musical works. Their only proposal is to stop a particular sound stream replacing it with voids from which one can reflect upon their surroundings, their interruption or just to pause in the act of not-doing.
  Each one of the pieces can be thought to be played/emptied in its original instrumental format (privately or publicly), as an imaginary experience from its graphical appearance or, simply, as an immaterial testimony of its time.

[Voids] J. S. Bach – Toccata #2 BWV 914

harpsichord or piano / graphical piece (2022)

[Voids] A. Copland – El Salón México

2 pianos / graphical piece (2021)

[voids] R. Schummann – Fantasiestücke Op. 73

vc./cl./sx./vla. + piano / graphical piece

[voids] Josquin Desprez – Mille Regretz

choir / 4 voices / graphical piece

[voids] J. Dowland – Lachrimae Pavan

guitar or lute / graphical piece

[voids] F. Chopin – Ballade nº1

solo piano / graphical piece

[voids] J. S. Bach – Suite BWV 1008

violoncello solo / graphical piece

[voids] J. S. Bach – Ricercare a 6

6 instruments / graphical piece